The Ladies And The Babies (1984). Frankie Lee's debut album, The Ladies and the Babies, was one of the first contemporary blues albums to successfully negotiate the territory between post-Bobby Bland blues and southern soul. As one of the first albums on HighTone Records, the album helped set the stage for the numerous records and artists that teetered between soul and blues. To Lee's immense credit, he achieved this balance quite skillfully, thanks to solid songs, tight arrangements and powerful vocalists. He followed the record with several others quite like it, but none matched the energy or quality of The Ladies and the Babies…
During the last quarter of the 20th century, and thanks largely to Eric Clapton's remarkable devotion to his memory, Robert Leroy Johnson posthumously became the most celebrated Delta blues musician of the pre-WWII era. Among numerous editions of his complete works and various anthologies that combine his recordings with those of his contemporaries and followers, J.S.P.'s The Road to Robert Johnson and Beyond combines many of his essential performances with those by dozens of other blues artists from Blind Lemon Jefferson and Henry Thomas to Muddy Waters and Elmore James. 105 tracks fill four CDs with several decades' worth of strongly steeped blues that trace the African American migration from the deep south on up into Chicago. This is a fine way to savor the recorded evidence, as primary examples from Blind Blake, Charley Patton, Son House, Charlie McCoy, Walter Vincson, Skip James, Ma Rainey, Tampa Red, Kokomo Arnold, Scrapper Blackwell, Leroy Carr, Lonnie Johnson, and Peetie Wheatstraw lead directly to early modern masters like Big Joe Williams, Sonny Boy Williamson, Big Bill Broonzy, Johnny Temple, Leroy Foster, Johnny Shines, Homesick James Williamson, Robert Jr. Lockwood, Snooky Pryor, Little Walter, and David Honeyboy Edwards, among many others.