Define Boogrov

The unbelievably prolific Haruomi Hosono is one of the major architects of modern Japanese pop music. With his encyclopedic knowledge of music and boundless curiosity for new sounds, Hosono is the auteur of his own idiosyncratic musical world, putting his unmistakable stamp on hundreds of recordings as an artist, session player, songwriter and producer.

A Collectors Compilation Of Aussie Male Singers Across The Ages! It's difficult to define the best male singers from the Australian music business but this compilation combines some of the finest to hit the music scene. Spanning over 5 decades these tracks reflect a cross section of some of the biggest songs by the best voices Australia has ever seen. This collection is a cross section of rock and pop hits that is intended to step outside the main hum drum of hit song collections by combining a few "oldies" with a few "newbies" and a brand new version of one of Australia's classics - the Russell Morris Hit "The Real Thing" produced by famed Australian producer Chong Lim in 2019 and available for the first time ever on CD.

A Collectors Compilation Of Aussie Female Singers Across The 5 Decades! It's difficult to define the best female singers from the Australian music business but this compilation combines some of the finest to ever hit the Australian music scene. Spanning over 5 decades these tracks reflect a cross section of brilliant voices in Australian popular music. This collection steps outside the hum drum of collections by combining famous top 20 hits along with rare gems that should have been hits! Plus the bonus track of like Lynne Randell's classic hit song "Ciao Baby".

Almost five decades ago, the toll of a bell and rolling thunder marked the conception of an ear splittingly monolithic riff. In that moment, BLACK SABBATH and the sound of heavy metal were forged. The band embarked on what vocalist Ozzy Osbourne describes as the most incredible adventure you could think of, a journey that would go on to define a genre.

Peter Thorup, a well-known Danish blues-rock musician, gained an international reputation because of his cooperation with blues icon Alexis Korner in New Church, CCS and Snape in the early '70s. After he dispended his first band The Beefeaters in 1969, Thorup was helped by some old friends from famous Danish groups Young Flowers, Burning Red Ivanhoe, The Beefeaters, and Rainbow Band to record Wake Up Your Mind in February and March 1970. Thirteen titles were recorded of which 7 found its way in 1970 on the Philips-released album Wake Up Your Mind. The music was not restricted to just blues-rock and consequently this release had a much wider appeal, as the rest of Peter Thorup's efforts. The album reflects the musicians' good reputation and it is rather a band project than a solo effort. Fantastic guitar playing by Peter Thorup and Peer Frost (Young Flowers), gorgeous vocals by P.T. and Ole Fick (Burning Red Ivanhoe), excellent organ work by Morten Kjaerumgard and impressive flute and sax playing by Bent Hesselmann (Maxwells, Rainbow Band/Midnight Sun) define this real killer. A must-have.

Slippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone – especially girls, whom traditional heavy metal often ignored. Slippery When Wet was more indebted to pop than metal, though, and the band made no attempt to hide its commercial ambition, even hiring an outside songwriter to co-write two of the album's biggest singles. The trick paid off as Slippery When Wet became the best-selling album of 1987, beating out contenders like Appetite for Destruction, The Joshua Tree, and Michael Jackson's Bad.

This band again deals multiple influences, which in the end makes the sound hard to define. It sounds dark and into bombast arrangements, sometimes reminding me of the mysterious and somewhat ritual style of The Virgin Prunes, but then also more into psychedelic treatments. The vocals of Marthynna remain pretty intriguing and only accentuating the occult side of the sound.

What an enormous room is not only the title of the album by TORRES, it is an incantation, a phrase she has had in her head now for several years. In the video for What an enormous room's debut single "Collect," Scott finds herself alone in rooms that stretch beyond the frame of the camera. You can observe details of the rooms-the rubble and support beams in one, the lighting in the other-but they neither define their purpose nor explain her presence in them; these are large spaces whose lack of definition invites anxiety and even fear. What does Scott do when cast against that kind of uncertainty? She dances. She throws herself against it. When she sings "look at all the dancing I can do," it's an invitation to awe, and there is much here to be awed by. What an enormous room contains wry, Laurie Anderson-esque art rock, Nirvana's rage, and ABBA's strut. Rather than fear the unknown, Scott has chosen to fill it with as much of herself as possible, an artist unwilling to be stifled.