Define Boogrov

Agilok & Blubbo [Recorded 1968] (2009). The Inner Space is the stuff of legend. This obscure outfit is best known as the early incarnation of Can and not much is known about them except it featured the core members of Can (Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit) and lasted just a few months before renaming themselves Can and releasing "Monster Movie". They left two ultra-obscure seven inches as their only recorded legacy and only the first of them is credited to The Inner Space, it contained two songs taken from the soundtrack of 1969's underground film Agilok & Blubbo. Given the obscurity of both the band and it's recorded output, we're proud to present, for the first time to the public, not only the aforementioned singles but the complete soundtrack to Peter F. Scheneider's offbeat political satire Agilok & Blubbo…

Ornette Coleman - Twins (2008) {Atlantic–Water ‎water218 rec 1959-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 266 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1959-61, 2008 Atlantic / Water | water218
Jazz / Avant-Garde Jazz / Alto Saxophone

A key album for any fan of classic Ornette Coleman – a 1971 Atlantic release that pulled together tracks from the late 50's and early 60's that didn't make it onto Ornette's earlier records for the label! Why these tracks weren't released at the time is a mystery to all, because the material is great, and ranks with some of his best stuff – and over the years, the value of the album has grown even more within the early Ornette oeuvre – as it contains key tracks that have come to define his edgiest moments of the early 60s.

Shorty Rogers and Gerry Mulligan - Modern Sounds (1953) {Capitol Japan TOCJ-6887 rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 104 Mb | MP3 @320 -> 79 Mb
Full Artwork @ 300 dpi (jpg) -> 442 Mb | 5% repair rar
© 1951-53, 2007 Capitol Records / Toshiba EMI Japan | TOCJ-6887
Jazz / Cool Jazz / West Coast Jazz / Saxophone / Trumpet

If bebop was ‘hot’, then with perfect timing Newton's third law of motion – that every action has an equal and opposite reaction -kicked in with emergence of ‘cool’ jazz at the end of the 1940s with a series of recordings under the auspices of Miles Davis that became known as the Birth of the Cool. Using six instruments in three groups each an octave apart – trumpet and trombone, alto and baritone saxes, French horn and tuba – plus piano, bass and drums, produced a unique sound in jazz.

This programme is something of a memorial to Daniel Majeske who died from cancer in November 1993 after being Concert Master of the Cleveland Orchestra for 25 years. Christoph von Dohnanyi honours his memory in a written note, and Majeske's performance of Mozart's Sinfonia concertante, K364, recorded two years before his death, celebrates his searching, highly cultivated solo playing.

After 25 years, constant traveling, nine albums, and various solo projects, Saffire are calling it quits with one last tour and Havin' the Last Word, a collection of new tunes, covers of favorites, and songs that define their dissolution. It sounds as though it's a happy-sad decision, gratified for all the success and love accrued from their fans, but pleased for future blues via other partnerships and collaborations that can now be achieved individually. Though all will pursue solo careers – Ann Rabson is already firmly established – it is this magical and timeless combination of spirit, focused same-page concept, and great musicianship that has served Saffire very well far beyond most bands. This final effort showcases individual vocal tracks, as if the group members are already preparing for going out on their own, as there's very little group harmonizing. Individual efforts notwithstanding, the group still convenes musically on common ground, especially when Rabson plays piano, Gaye Adegbalola jams on the slide guitar or harmonica, and Andra Faye offers her musings on fiddle, mandolin, or upright bass.

From their earliest days as a band, the members of R.E.M. always had a Keen sense of how they wanted to be perceived visually, even when it sometimes seemed as if they didn’t want to be seen at all…