Nordic Affect is an Icelandic quartet consisting of four women, all of whom also sing, and at least one of whom, Halla Steinunn Stefánsdóttir, is also a composer, writing the title work He(a)r (the title is a pun on the words "hear," "her," and the Icelandic word "hér," which means "hear"). That work has a prominent spoken-word part, and it's deployed not in a continuous performance but as a frame for the other works, on alternating tracks. With the composer as Nordic Affect's violinst, one is entitled to assume that she was on board with this idea, and it forms an instantly appealing contrast with the other music…
The complete collection of Achim Reichel’s innovative avant-garde project in the early 1970s. The lavishly designed 10 CD box-set includes all five studio albums and almost five hours of rare and unreleased music, a new remix-album – Virtual Journey – as well as a hardcover book with the artist’s own liner notes. A lucky accident was the catalyst. In Hamburg in the early 70s, while playing with his new Akai X330D tape machine, Achim Reichel discovered he could build soundscapes of guitar echoes and add even more simultaneously. He spent hours in his room with headphones on, growing his orchestra of guitars. A.R. & Machines recorded five studio albums. Their debut, “Die grüne Reise”, – The Green Journey – was released in 1971 on tape cassette and vinyl, and was met with complete confusion, even from the music press, who had no genre-drawer to stick it into, and is a lasting Krautrock monument captured on tape.
The Syrian American producer lingers with grief and horror on her past while the music accelerates into the future.
O.A.R.’s Wind-up Records debut album, King, marks a new beginning for the band, while also paying homage to their past. It is the seventh studio effort in a career that began with their high school recording, The Wanderer. Bringing back the title character from their first album, O.A.R. takes the listener on a journey to discover that what the Wanderer, and the band members themselves, had been searching for all along, was there from the beginning. As the closing song on the new disc states, a return “Back to One.”King is O.A.R.’s follow-up to their 2008 studio album All Sides, which debuted at #13 on the Billboard Top 200 and #3 on the Digital Album chart.
By now, the members of O.A.R. — which stands for Of A Revolution, if you haven’t been paying attention for the band’s two-decades-plus career — know what they’re doing in the studio. The Maryland-based ensemble has amassed a global audience with its rootsy, indie/pop/reggae sound since forming in 1996, and the band recently released The Mighty, its 10th studio album and the follow-up to 2016’s XX.