Delta Hames

With the worldwide pandemic wrecking utter havoc upon the careers of many musicians, Samantha Martin & Delta Sugar elected to use their time off the road to record, their latest tour-de-force, the astonishingly powerful, funky and deeply soulful The Reckless One.

This excellent companion volume to Founder of the Delta Blues pulls together 23 more Patton tracks (including some alternate takes that were for years thought to be lost) to give a much more complete look at this amazing artist. It's interesting here to compare the tracks from his final session to his halcyon output from 1929. Highlights include "Mean Black Cat Blues," Patton's adaption of "Sitting on Top of the World" ("Some Summer Day") and both parts of "Prayer of Death," originally issued under the non de plume of "Elder J.J. Hadley." The sound on this collection is vastly superior, from a noise-reduction standpoint, to its companion volume.

A riddle wrapped in an enigma dressed up in leather and studs, Germany's Mekong Delta perplexed the heavy metal world both by playing an unconventional brand of progressive thrash and by keeping the identities of the bandmembers secret for the first five years of a career starting in 1987…

A riddle wrapped in an enigma dressed up in leather and studs, Germany's Mekong Delta perplexed the heavy metal world both by playing an unconventional brand of progressive thrash and by keeping the identities of the bandmembers secret for the first five years of a career starting in 1987…

After being rediscovered by the folk-blues community in the early '60s, Son House rose to the occasion and recorded this magnificent set of performances. Allowed to stretch out past the shorter running time of the original 78s, House turns in wonderful, steaming performances of some of his best-known material. On some tracks, House is supplemented by folk-blues researcher/musician Alan Wilson, who would later become a member of the blues-rock group Canned Heat and here plays some nice second guitar and harmonica on several cuts. This two-disc set features alternate takes, some unissued material and some studio chatter from producer John Hammond, Sr. that ocassionally hints at the chaotic nature inherent to some of these '60s "rediscovery" sessions. While not as overpowering as his earlier work (what could be?), all of these sides are so power packed with sheer emotional involvement from House, they're an indispensable part of his canonade.

2007 GRAMMY AWARD-WINNING BEST TRADITIONAL BLUES ALBUM OF THE YEAR HISTORY IN THE MAKING Once in a lifetime you may experience a brief moment when the stars align and something truly extraordinary happens. This was the case in October 2004, when four of the greatest living blues legends were assembled in Dallas, Texas for one incomparable night of music. At the time they ranged in age from 89 to 94 and all had received the National Endowment for the Arts Heritage Fellowship Award, the highest honor in the USA for traditional arts. These musicians have devoted their entire life to playing the blues, and staging such an epic event was a once-in-a-lifetime opportunity. Once reunited, the old magic reemerged. It was if they were long lost school buddies.

For Delta Crossroads, Robert Lockwood Jr., a former student of Robert Johnson, returns to his Delta blues roots. This 16-track album features Lockwood with only his 12-string acoustic guitar. It is rather strange hearing old Delta blues sung by one of its originals on a modern recording. All of the notes from the guitar are clear. Plus, his voice isn't scuffed up by the scratches and pop of the vinyl recording. Lockwood plays a mix of Robert Johnson tunes, a few of his own, and some blues standards including "C.C. Rider." With its high production quality and Lockwood's unique and possibly near-extinct style of singing, Delta Crossroads is a strong testament to the endurance of a Delta blues original.