Denny Zeitlin Trio As Long As There's Music

We live in a time of investigation. We take samples, send them to a laboratory, and get results. We draw up tests and categorize things. Composers are present among us through their works. As long as we play their pieces, they exist. We can take a sample of this music. Let’s take an excerpt of two bars, a motif, any excerpt, at random! In this imaginary music laboratory, would we be able to ascertain who wrote the music, or what their personality was like? Their temperament? For the program of this album, we have chosen two composers for whom the answer is “yes”.

1943 was a banner year for the musical theater. For it was then that Rodgers and Hammerstein joined forces for the first time and wrote the memorable "Oklahoma." What happened after "Oklahoma" is history - and what a history it is! "Carousel", "South Pacific", "The King and I" were among the hits that followed, and now with "Flower Drum Song" add another triumph to the string of successes this team has contributed to the American musical scene.
"Flower Drum Song" is based on C. Y. Lee's novel of the same name and tells the story of a mix-up between a mail order bride from China who comes to San Francisco only to find that she and a brassy strip-teaser from San Francisco's Chinatown are about to marry the same fellow…

Both these couplings are extremely fine, but taken together they add up to even more than the sum of their parts. The point of coupling Shostakovich’s first and last string quartets is obvious, and the contrast between what the composer himself called his “Springtime Quartet” and the unprecedented sequence of six slow movements written months before his death could not be more poignant.

The French horn has rarely been used in jazz as a solo instrument until recent times. Back in the 1950s, jazz's top French horn player was Julius Watkins, with David Amram certainly ranking in the top five. For this 1957 session, trombonist Curtis Fuller and his quintet with altoist Sahib Shihab, pianist Hampton Hawes (Teddy Charles, who contributed three originals, takes his place on one number), bassist Addison Farmer, and drummer Jerry Segal are joined by both Watkins and Amram. On originals by Charles, Amram, and Salvatore Zito, the colorful ensembles and the very adept soloing by the French horns make this a particularly memorable recording. Strange that this album has been obscure for so long. Only the brief playing time keeps this intriguing set from getting a higher rating.