Der Gas

At the latest with the release of the albums "Zauberberg" and "Königsforst", in the mid-1990s, one associates GAS, Wolfgang Voigt's very own artistic cross-linking of the spirit of Romanticism and the forest as an artistic fantasy projection surface, with intoxicatingly blurred boundaries of post-ambient infatuation and the impenetrable thicket of abstract atonality. The distant, iconic straight bass drum marching through highly condensed, abstract sounds taken from classical music by the sampler or modulated accordingly, and the enraptured gaze through pop art glasses into the hypnotic thicket of an imaginary forest, manifested over the years this unique connection of audio and visual, which to understand fully, then as now, would be neither possible nor desirable.

''Attention, attention! Unknown flying objects from another planet and creatures identified so far only as Globolinks have landed on Planet Earth. All citizens are asked to remain calm. Be on your guard. Stay tuned for further broadcasts. THE GLOBOLINKS ARE HERE!'' A scene from a science fiction movie? It certainly could have been; the admonition is so familiar but, no, this is the opening spoken narrative that follows some evocative night skies, space-sweeping and reminiscent-of- schooldays orchestral music in Menotti's space-age opera for children of all ages, “Help, Help, The Globolinks”. Composed in 1968 and first performed in Hamburg, Menotti's music for “Globolinks” is appealing and accessible and often very amusing.

Composed in 2020 during the beginning of the Covid-19 pandemic, the first incarnation of the work was played as a sound installation at the Kapellen Leprosarium (Leper's Sanctuary) in Hanover, Germany. This sanctuary was built around 1250 and served as a quarantine for those who suffered from the plague and leprosy in the Middle Ages.