Der Hund Von Blackwood Castle The Monster of Blackwood Castle(1968)

Bahnbrechende Erkenntnisse und tiefe Krisen, revolutionäre Entdeckungen und Widerlegung von bis dato unverrückbaren Glaubenssätzen – die Jahre zwischen 1870 und 1950 sind geprägt durch wissenschaftliche Errungenschaften zahlreicher Genies und junger Vordenker. Erkenntnisse, die das Verständnis von der Welt, von Raum, Zeit und Unendlichkeit, von Leben und Menschheit, Logik und Berechenbarkeit nahezu über Nacht aushebelten. Einige der Akteure, wie Georg Cantor oder Ludwig Boltzmann, aber auch Albert Einstein und Kurt Gödel sind darüber fast verrückt geworden. Lars Jaeger illustriert, wie eng in diesen 80 Jahren Genialität, Intuition und Krise beieinanderlagen, und wie ein Inferno an geistigen Revolutionen unser heutiges Leben und Denken prägt.

Violinist and conductor Gottfried von der Goltz has gained recognition as the leader of the Freiburger Barockorchester (or "Freiburg Baroque Orchestra"), an innovative historical-performance ensemble. He also performs widely as a violin soloist. Von der Goltz was born in the Bavarian city of Würzburg on June 1, 1964. He studied with his father, Georg Conrad von der Goltz, and his mother, Kirsti Hjort. Von der Goltz studied at the Hochschule für Musik in Hannover under Rami Shevelov, moved to New York for graduate studies at the Juilliard School, and continued taking lessons with Rainer Kussmaul in Freiburg. At age 21, von der Goltz earned a violin chair in the NDR Symphony Orchestra in Hamburg, looking forward to a secure career with a solid German orchestra. Two years later, he relinquished that post in favor of the Baroque violin, in the mid-'80s, not a terribly common instrument in Germany. That led to von der Goltz's leadership of the Freiburger Barockorchester, where he continues, with Kristian Bezuidenhout, to hold the post of artistic director. With the Freiburg group, he has amassed a large catalog of recordings, beginning in 1994 with an album of works by Purcell and Handel.

Beethoven's nine symphonies were recorded by Herbert von Karajan in 1961-1962 with the Berlin Philharmonic Orchestra — of which he became permanent conductor in 1955 to replace Wilhelm Furtwängler — and released on the DG label in 1963. 1963 October 15, Herbert von Karajan and the Berlin Philharmonic played Beethoven's Ninth Symphony at the inaugural concert of the Berlin Philharmonie.
The first complete recording by the Austrian conductor — next will be the versions recorded between 1975-1977 (released in 1977, also a high-flying interpretation) and between 1982 and 1984 (released in 1985) — this version of 1963 remains the most inhabited on the whole. Technically remarkable, she is one of the great peaks of her discography.

Originaltext mit ausführlichem Kommentar von Georg Schwedt
Bereits mit 21 Jahren erhielt Justus Liebig (1803-1873) auf Vorschlag Alexander von Humboldts, den er in Paris durch Gay-Lussac kennengelernt hatte, eine Professur für Chemie an der Universität Gießen. Dort entwickelte er die Elementaranalyse zu einer hohen Perfektion und isolierte, synthetisierte und analysierte zahlreiche organische Substanzen.

Die technischen Fortschritte und neuen Möglichkeiten der molekularen Biologie – Genomanalysen, Expressionsanalysen, konfokale Lasermikroskopie, Proteomics – lassen die Physiologie von Wirbeltieren, genauso wie die von Nicht-Wirbeltieren, in einem neuen Licht erscheinen.

This is one of those occasions where beauty and artistry are reflected not only on the surface but right through to the core. This is a marvelous performance of Bach's six-cantata cycle that offers ravishing choral singing, sharply detailed orchestral playing, and superior contributions from the four solo vocalists, all presented in state-of-the-art sound.

Herbert von Karajan was the most renowned conductor to emerge from Europe in the post-World War II era – and through fortuitous timing throughout his career, and in spite of controversy that dogged his early years, he was the most recorded conductor of the 20th century, and is likely to remain one of the most visible (and biggest-selling) conductors well into the 21st century. Born in Salzburg and descended from a family of Greek origin with deep roots in Austria – including scholars and physicians in Vienna and Salzburg – he was a music prodigy, playing the piano at three and playing his first recital a year later.

This is one of those occasions where beauty and artistry are reflected not only on the surface but right through to the core. This is a marvelous performance of Bach's six-cantata cycle that offers ravishing choral singing, sharply detailed orchestral playing, and superior contributions from the four solo vocalists, all presented in state-of-the-art sound.