DG's 20-bit transfer reveals more tape hiss than before, while the orchestral image is better focused, with more definition at the bottom end. Some have likened Herbert von Karajan's "chamber-music approach" to Wagner's Ring cycle in terms of his scaling down or deconstructing the heroic roles. This approach has less to do with dynamics per se than it does with von Karajan's masterful balancing of voices and instruments.
Back in the glory days of early digital recordings, Ring cycles were being released fast and furiously. Old Rings were reissued with remastered sound – Solti's on Decca, Böhm's on Philips, and Furtwängler's on EMI – and new Rings were issued with digital sound – Levine's on Deutsche Grammophon, Barenboim's on Teldec, and Haitink's on EMI. Almost 20 years later, EMI re-released Haitink's Ring as a single 14-disc set with full cast lists, notes, and plot summaries, but without librettos.
This magnificent compilation of the greatest Wagner singers and conductors of the 20s and early 30s is an absolute MUST for everyone who is remotely interrested in how Wagner was done in the past.
The greatest attractions are the magnificent interpretations of Friedrich Schorr, Frida Leider and the young Lauritz Melchior. Schorr sings Wotan in the excerpts from Die Walkure and Leider sings Brunnhilde. Melchior sings the young Siegfried.