Fritz Wunderlich is in absolutely stunning voice in this classic recording of Mozart's "Turkish" opera brilliantly led by Eugen Jochum. Kurt Bohme is a lively, rich voiced Osmin, while Erika Koth and Lotte Schadle are a vivacious pair of female leads. Friedrich Lenz makes for an expert, lyrical second tenor! "The Rough Guide To Opera" says that "this is a justifiably famous performance, . . . not least for its being the first of the opera to present the score uncut. It is also celebrated for being one of Fritz Wunderlich's last and finest studio recordings.
Fritz Wunderlich is in absolutely stunning voice in this classic recording of Mozart's "Turkish" opera brilliantly led by Eugen Jochum. Kurt Bohme is a lively, rich voiced Osmin, while Erika Koth and Lotte Schadle are a vivacious pair of female leads. Friedrich Lenz makes for an expert, lyrical second tenor! "The Rough Guide To Opera" says that "this is a justifiably famous performance, . . . not least for its being the first of the opera to present the score uncut. It is also celebrated for being one of Fritz Wunderlich's last and finest studio recordings.
Fritz Wunderlich is in absolutely stunning voice in this classic recording of Mozart's "Turkish" opera brilliantly led by Eugen Jochum. Kurt Bohme is a lively, rich voiced Osmin, while Erika Koth and Lotte Schadle are a vivacious pair of female leads. Friedrich Lenz makes for an expert, lyrical second tenor! "The Rough Guide To Opera" says that "this is a justifiably famous performance, . . . not least for its being the first of the opera to present the score uncut. It is also celebrated for being one of Fritz Wunderlich's last and finest studio recordings.
Fritz Wunderlich is in absolutely stunning voice in this classic recording of Mozart's "Turkish" opera brilliantly led by Eugen Jochum. Kurt Bohme is a lively, rich voiced Osmin, while Erika Koth and Lotte Schadle are a vivacious pair of female leads. Friedrich Lenz makes for an expert, lyrical second tenor! "The Rough Guide To Opera" says that "this is a justifiably famous performance, . . . not least for its being the first of the opera to present the score uncut. It is also celebrated for being one of Fritz Wunderlich's last and finest studio recordings.