Star tenor Piotr Beczala presents a selection of romances by Rachmaninoff and Tchaikovsky, together with the acclaimed lied accompanist Helmut Deutsch. The romance was the most popular musical genre in nineteenth- and early-twentieth-century Russia, practised by professionals as well as amateurs. Tchaikovsky and Rachmaninoff both enriched this genre with their lyricism and melodic invention. Elevated by Deutsch’s splendid accompaniment, Beczala delivers these songs with a great sense for the Slavic idiom and meaning of the words, combined with colourful lyricism and italianità, perfectly fitting the Russian and cosmopolitan musical language of these two masters.
Known for their onstage charisma and camaraderie, Ottawa’s Lara Deutsch (flute) and Adam Cicchillitti (guitar) began performing together in 2019 after discovering their mutual love for the music of Piazzolla. With an established discography as individual artists on the Analekta and Leaf Music labels, as well as numerous accolades in their respective fields, one of the primary focuses of the duo is to perform and promote the works of their Canadian friends and colleagues internationally.
Franz Liszt's songs remain the least-often-heard segment of his output, even as serious historians of 19th century music, including Alfred Brendel, have praised them. They are a bit uneven, and they are, for a composer who made his living with the grand gesture, uncharacteristically quiet. Various singers have taken them up, however, and this major release by Jonas Kaufmann, with the invaluable Helmut Deutsch on the piano, marks a kind of milestone. The songs are striking for how little they resemble Schumann or anything else written anywhere near the same time (until perhaps Hugo Wolf), and Kaufmann absolutely gets their originality.