Siouxsie Sioux has always maintained that it was not her intention to create the goth rock movement. While that lofty statement may be a little self-serving, it's partly right. The Banshees' post-1982 singles (documented in entirety on Twice Upon a Time) have a lush and expansive sound that directly influenced the goth sound. From the opening of "Fireworks" it is immediately apparent that Siouxsie and the Banshees were growing up. By the time of "Peek-a-Boo," the band had learned how to incorporate its early dissonance with its majestic, late-'80s sound. The Twice Upon a Time collection is one great step after another, with the only drawback being a poor remix of 1991's "Fear of the Unknown." A solid introduction for the unknowing.
Gene Chandler's second LP for Brunswick suffers from comparisons to its predecessor, but consider how difficult it must have been to top an album padded with several tracks previously released as Constellation singles. The two singles here, "Those Were the Good Old Days" and "There Was a Time," are as good as anything he'd recorded for the label. Though the titles evoke similar themes, they're radically different songs. The first is (as expected) a good-time nostalgia tune with a sweet female chorus, but the second is a torrid horn-driven salute to the best dances of recent years; one looks back to the heady Chicago soul of the Impressions, while the other looks ahead to the increasingly intense urban funk of Curtis Mayfield. Chandler again displays an amazing mastery of voice control, adding brilliant tossed-off vocals between lines on the choruses…