Devney Perry Crossroads

The Crossroads Guitar Festival is a series of music festivals and benefit concerts founded by Eric Clapton. The festivals benefit the Crossroads Centre founded by Eric Clapton, a drug treatment center in Antigua. The concerts showcase a variety of guitarists, selected by Eric Clapton personally. To the 2007 audience, Clapton declared that each performer was one of the very best, and had earned his personal respect…

Like all the great artists, Ryan Perry isn’t afraid to rip it up and start again. Since 2007, the Mississippi bandleader has blazed a reputation in the award-winning Homemade Jamz Blues Band. But when it came to his solo debut, Perry took a leap of faith and trusted his talent to land him safe on the other side. Now, High Risk, Low Reward announces the touchdown of a solo artist to treasure. “This album,” he says, “was the hardest thing I’ve done to date.”

Eric Clapton's Crossroads Festival, which features world-class guitar players from all over the globe and has been held every three years since 2004, works as a fundraiser for the Crossroads Centre in Antigua, a treatment and educational center Clapton founded in 1998 to help people suffering from chemical dependency. The first three concerts were single-day outdoor events held in Dallas in 2004, and in Chicago in 2007 and 2010, with the fourth, the concert represented by this two-disc set, moving indoors to Madison Square Garden in New York and expanding to two nights in 2013…

A quick internet search brings up some extraordinary footage of Lee ‘Scratch’ Perry producing a session at the Black Ark. Taken from the film ‘Roots, Rock, Reggae’, directed by Jeremy Marre, the sequence shows Junior Murvin collaborating with members of the Congos and the Heptones on a song improvised on the spot for the film crew. Before the vocals are recorded, the Upsetters lay down the backing track. The musical director of the session is the afro-haired bass player, Boris Gardiner; unusually, it is he who counts in the band to start each take. After a long conversation with Boris a few years back, I asked Lee about his contribution to the Black Ark sound.

One of the most popular vocalists between the end of World War II and the rise of rock & roll in the mid-'50s, Perry Como perfected the post-big band approach to pop music by lending his own irresistible laidback singing – influenced by Bing Crosby and Russ Columbo – to the popular hits of the day on radio, TV, and LP. Both his early traditional crooning style plus his later relaxed manner and focus on novelty material were heavily indebted to Bing Crosby, though Como's appeal during the early '50s was virtually unrivalled.

Veteran guitarist, singer, and songwriter Bill Perry was one of the most inventive storytellers in the modern blues idiom, yet sadly, he passed away from a heart attack in the summer of 2007. He was 50. He burst upon the national blues touring circuit in the mid-'90s with the short-lived Point Blank/Virgin Record label. Born and raised in Chester, NY, Perry got his first guitar at age five. He quickly learned the theme from "Batman" on it while growing up in a music-filled household. Perry's grandmother played organ in the church, but Perry was attracted to his father's Jimmy Smith albums, which featured jazz/blues guitarist Kenny Burrell. During his formative years, his favorite guitarists were Jimi Hendrix, Duane Allman, and Johnny Winter. He also loved Albert Collins, B.B. King, and Freddie King.