Dezron Douglas – Atalaya

Born amidst the gathering of enslaved Africans in New Orleans’ Congo Square, and nurtured in nightclubs, and festivals around the world, jazz is by nature a public, social music. For Harlem-based harp and bass duo Brandee Younger and Dezron Douglas, Covid-19 and the lockdown of public spaces challenged them to find a way to continue to connect with audiences and each other as instrumentalists.

Force Majeure is an uplifting suite of real, soulful comfort music – an album that cathartically encapsulates an all-too-familiar human experience of 2020. Featuring 11 pieces performed by bassist Dezron Douglas & harpist Brandee Younger across a series of live-streamed shows from their living room in Harlem, NY, the album was self-recorded by the duo using just a single microphone.

The health of the jazz ecosystem can be discerned by sampling musicians who use tried and true means to express themselves. By listening, it can be ascertained whether there is proper respect for the tradition blended with creative touches that move the music ahead. The piano trio is a perfect vehicle to demonstrate this phenomenon and Glenn Zaleski’s trio is an ideal example of a group that holds true to jazz traditions while trying to add something more.

The health of the jazz ecosystem can be discerned by sampling musicians who use tried and true means to express themselves. By listening, it can be ascertained whether there is proper respect for the tradition blended with creative touches that move the music ahead. The piano trio is a perfect vehicle to demonstrate this phenomenon and Glenn Zaleski’s trio is an ideal example of a group that holds true to jazz traditions while trying to add something more.

NEA Jazz Master Louis Hayes certainly personifies the term "living history." Born in Detroit, Hayes packed up his drum set and caught a train east, arriving in New York City in 1956 to join the Horace Silver Quintet. In 1959 he joined the Cannonball Adderley band, finding himself, in his early 20s, at the nerve center of the jazz world. He would visit John Coltrane in his apartment and was to make several justly famous recordings with him. Over the next 60 years Hayes amassed a impressively great body of work, playing and recording with Oscar Peterson, Dexter Gordon, Grant Green, Kenny Burrell, Cedar Walton, Sonny Rollins, Woody Shaw and many more of the giants of modern music.

NEA Jazz Master Louis Hayes certainly personifies the term "living history." Born in Detroit, Hayes packed up his drum set and caught a train east, arriving in New York City in 1956 to join the Horace Silver Quintet. In 1959 he joined the Cannonball Adderley band, finding himself, in his early 20s, at the nerve center of the jazz world. He would visit John Coltrane in his apartment and was to make several justly famous recordings with him. Over the next 60 years Hayes amassed a impressively great body of work, playing and recording with Oscar Peterson, Dexter Gordon, Grant Green, Kenny Burrell, Cedar Walton, Sonny Rollins, Woody Shaw and many more of the giants of modern music.