Singer and oud player Dhafer Youssef is one of the most appealing stars of world music, yet his music still resists categorisation within that vague genre. Last year we heard him in a "supergroup" with Omar Sosa and Anga Diaz, but he sounds more comfortable accompanied by the talented crop of Norwegian musicians loosely associated with "nu-jazz". This cool style of playing, loose-limbed and hard-edged, provides the perfect backdrop to the Mediterranean warmth of Youssef's compositions. The most significant collaborator is producer-guitarist Eivind Aarset, who supplies backdrops of wide-ranging style and density, while remaining empathetic to Youssef's musical personality. Youssef can be deep, light-hearted, complex, funky and achingly romantic, sometimes all within one song. The album's pace is leisurely, full of atmosphere, groove and great playing, but rarely self-indulgent; you never forget whose album it is. By taking the most positive aspects of nu-jazz, Aarset and Youssef have forged a thrilling new sound that could make Divine Shadows a crossover hit.
Featuring musical guests such as Herbie Hancock, Marcus Miller, Dave Holland, Nguyên Lê and more. Street of Minarets continues to spotlight Dhafer's seamless ability to build a bridge between Indian, Arabic, and Western classical and jazz music.
On this album, Street of Minarets, Dhafer offers a gift for the dreamers, the lovers, the fighters, and the obscure. What was once an unfinished project that he felt was missing the soul his music usually has, overcoming obstacles of anxiety and vocal surgery during the pandemic would go on to rekindle his eternal love of music and provide him with the motivation he needed to rewrite and rearrange the record. The result is a relatable journey of sufferings and successes, ultimately spotlighting Dhafer’s inspiring resilience.
Acclaimed for his fusion of world music with jazz, vocalist and oud player Dhafer Youssef now focuses more on the acoustic side of jazz with an exciting new quartet that includes pianist Tigran Hamasyan, bassist Chris Jennings and drummer Mark Guiliana. This new recording contrasts the sense of calm and serenity created by Dhafer's mesmeric voice and oud playing with Guiliana's trademark combination of energetic rhythmic multiple layers. The very special mix of musical elements and creative talent produces a new and original soundscape. With the musicians' commitment to exploring and experimenting paired with their subtlety and courage to be silent, it is sure to catch the ear of any attentive listener.
Tunisian oud master, vocalist, and composer Dhafer Youssef is globally renowned for his restless musicality. He has used his ancient instrument – five millennia and counting – to explore jazz, classical, and blues, in addition to the classical and folk musics of the Middle East, North Africa, and Mediterranean regions. The ephemeral Birds Requiem is his debut offering for Sony's resurrected Okeh imprint. The players on this date include his trio with pianist Kristjan Randalu and trumpeter Nils-Petter Molvaer, and the complete ensemble (which recorded primarily in Sweden) features clarinetist Hüsnu Senlendirici, bassist Phil Donkin, drummer Chander Sardjoe, and electric guitarist Eivind Aarset, which also provides various electronic treatments.
Diwan Of Beauty And Odd, the first album Tunisian composer, singer and oud player Dhafer Youssef has recorded with an all-American band, carries all the trademarks this exceptional artist is known for: beautiful melodies, heartfelt chanting over infectious grooves and great artistry on his instruments, as well as of all musicians performing with him. These young jazz musicians understand Dhafer's musical world perfectly, and thoroughly enjoy the music making – just listen to how perfectly trumpet player Akinmusire plays in unison with Dhafer or how pianist Aaron Parks duets with him on Fly Shadow Fly. Although the album is more rooted in jazz, his traditional Sufi chants give it a unique and touching quality.
Although it's a dual-leader album, in which oud player Dhafer Youssef's performance is at least as important as that of guitarist Wolfgang Muthspiel, one of Glow's chief causes for celebration is Muthspiel's on-form presence. After releasing the shimmeringly beautiful Bright Side (Material Records, 2006)—a little-known masterpiece which may yet take its place alongside such jazz guitar iconographs as Johnny Smith's Moonlight In Vermont (Roulette, 1953, reissued 2004) and Wes Montgomery's Incredible Jazz Guitar (Riverside, 1960)—Muthspiel's project with drummer Brian Blade, Friendly Travelers (Material Records, 2007), was a disappointment, interesting in conception but not entirely convincing in execution.
Dhafer Youssef's music is rooted in the Sufi tradition and other mystical music but has always been open to ideas from other musical cultures, including jazz. With his complex compositions and deeply affecting singing, Youssef is one of the most impressive voices to emerge in this musical field for several years. Born in Tunisia in 1967, composer, singer, and oud player Dhafer Youssef has been living and working in Vienna since 1990 with such artists as Sainkho Namchylak, Paolo Fresu, Arto Tuncboyacian, Linda Sharrock, Wolfgang Puschnig, Christian Muthspiel, Jamey Haddad, Iva Bittova, Tom Cora and other great improvisers.