BBC in Concert is one of those miraculous archival finds that one just can't anticipate and dares not hope for. Apart from Yes (always the exception to a lot of rules), very few progressive rock bands managed to get themselves recorded live under optimum conditions, much less so early in their careers…
After the critical success of the first volume of Beethoven’s symphonies, Jordi Savall now offers us from the Sixth to the Ninth.This latest publication crowns a nearly two-year world tour and confirms the extent to which the director renews our vision of these most famous works. The Concert des Nations shows that it also knows how to magnify the repertoire of the early 19th century, which will be confirmed by a forthcoming Schubert album.
Good underground from Munich, played by master musicians. The 18 minute song "Sub theme I" is almost unrivaled. From the masters. Originally released in a minimal edition in 1970, this is underground at its best. The album is worth much more than US$ 1000. The master tapes were perfectly recorded at the well known Munich Union studio and survived without damages 24 years. Although tracks like "Ma-mari-huana’’ are far more psychedelic, the selected "Match I" shows more of the band’s artscraft. This is one of the label’s best CDs, with five bonus tracks and an expensive 24 page coloured booklet. For many years now this release has been high on collectors wanted lists. This issue includes all the original LP and 5 bonus cuts…
It's natural to suspect that In Concert is simply the hastily constructed live album cash-in that comes after the long-awaited reunion (2012's Anastasis was the group's first studio album in 16 years), but it's actually a sweet souvenir of the world fusion duo's return to the stage, tastefully presented and impeccably recorded. Rarely do live albums sound so luxurious and warm, but besides being a fine demo disc for high-end speakers, this chamber concert on wax offers some more comfortable, more alive versions of Anastasis' studio material, along with a quick stroll through the group's early work.
Thirty-two years after the fact, this live album presents a full-length version of the shows performed by Richard & Linda Thompson to promote their 1975 album Pour Down Like Silver, their third LP, following Hokey Pokey released earlier in 1975, and 1974's I Want to See the Bright Lights Tonight. They are accompanied by John Kirkpatrick on accordion and concertina, Dave Pegg on bass, and Dave Mattacks on drums. The recordings have not been released previously, except for "Calvary Cross" and "It'll Be Me," which were included on Richard Thompson's 1976 compilation Guitar, Vocal, but which have been remixed for this album.
Franz Joseph Haydn is an artist so great that somebody stole his brain. Literally. Shortly after his death his grave was robbed by phrenologists, who studied Haydn’s skull and found that “the bump of music” on his skull was “fully developed”, clearly proving that Haydn was destined for genius from birth.
Thirty-two years after the fact, this live album presents a full-length version of the shows performed by Richard & Linda Thompson to promote their 1975 album Pour Down Like Silver, their third LP, following Hokey Pokey released earlier in 1975, and 1974's I Want to See the Bright Lights Tonight. They are accompanied by John Kirkpatrick on accordion and concertina, Dave Pegg on bass, and Dave Mattacks on drums. The recordings have not been released previously, except for "Calvary Cross" and "It'll Be Me," which were included on Richard Thompson's 1976 compilation Guitar, Vocal, but which have been remixed for this album.