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Universal Music are proud to present Hot August Night / NYC: Live From Madison Square Garden re-released in physical form.

Rising from humble roots in working-class Brooklyn to global success, Neil Diamond became one of the best-selling recording artists of the 20th century as well as a dynamic, internationally known touring act and skilled songwriter whose compositions produced numerous hits for himself and others. In a career that began in the early 1960s as a staff songwriter at New York's legendary songwriting institution the Brill Building, he soon transitioned into performing and recording his own songs, finding success among the emerging pop singer/songwriter market with early highlights like "Solitary Man" and "Kentucky Woman." A move to Los Angeles at the end of the '60s coincided with a shift toward more adult-oriented pop and subsequently ushered in Diamond's heyday as a major star. Melodic chart-toppers like "Cracklin' Rosie" and "Song Sung Blue" kept him on top and opened the door for ambitious project material like the Grammy Award-winning Jonathan Livingston Seagull soundtrack and 1976's conceptual Beautiful Noise album.

Calling 12 Songs Neil Diamond's best album in three decades may be a little misleading: truth be told, it doesn't have much competition in his discography. While Diamond never stopped making albums, he did seem progressively less interested in recording sometime after the Robbie Robertson-produced 1976 album Beautiful Noise. Following that weird, ambitious album, he pursued a slicker, streamlined course and started writing less original material. For a while, this paid off great commercial dividends, culminating in his 1980 remake of the Al Jolson film The Jazz Singer, but after 1982's Heartlight he slowly drifted off the pop charts.

Calling 12 Songs Neil Diamond's best album in three decades may be a little misleading: truth be told, it doesn't have much competition in his discography. While Diamond never stopped making albums, he did seem progressively less interested in recording sometime after the Robbie Robertson-produced 1976 album Beautiful Noise. Following that weird, ambitious album, he pursued a slicker, streamlined course and started writing less original material. For a while, this paid off great commercial dividends, culminating in his 1980 remake of the Al Jolson film The Jazz Singer, but after 1982's Heartlight he slowly drifted off the pop charts.

Though now known mainly for his middle-of-the-road balladry, Neil Diamond started his career in the '60s as a Tin Pan Alley pro who turned out a string of ballsy, folk-rock-styled classic Top 40 singles that may come as a surprise to anyone who's grown up with the image of Diamond as a sensitive crooner and Vegas showman. This 2 CD set contains all of his hits, but it isn't quite the definitive package that its title suggests. His early Bang singles ("Cherry, Cherry," "Kentucky Woman," "Solitary Man") and his later Columbia material ("You Don't Bring Me Flowers," "America," "Heartlight") appear in their original versions. But his mid-period MCA/UNI hits ("Sweet Caroline," "Song Sung Blue," "I Am … I Said") are represented by live re-recordings from 1989 and 1992.

Neil Diamond Ayant démarré sa carrière dans les années 1960, Neil Diamond devient un artiste éminent, avec de nombreuses tournées internationales couronnées de succès, et un compositeur dont les oeuvres, écrites pour lui et pour d'autres, deviennent des tubes. Il commence à être reconnu en tant que compositeur associé à l'ère Brill Building de Tin Pan Alley au début des années 60. Mais il se diversifie rapidement dans l'enregistrement et le spectacle et au début des années 70, il est à la tête des hits-parades. Il devient également un artiste de scène dynamique, comme le prouve son album de 1972, Hot August Night. En même temps cependant, sa musique s'adoucit, d'une façon générale.

Universal Music are proud to present Hot August Night / NYC: Live From Madison Square Garden re-released in physical form.

Chicago's Black Diamond debuts on We Jazz Records with their new album Furniture Of the Mind Rearranging on 5th July. Co-led by Artie Black and Hunter Diamond (composers, saxophones, and other woodwinds), Black Diamond appears in both quartet and duo formations. The first three album sides present the quartet, complete with long standing band members Matt Ulery (double bass) and Neil Hemphill (drums), under the heading Furniture Of the Mind. The remaining two tracks on side D fall under the title The Mind Rearranging, with Black and Diamond presenting a meditative duo encounter of two tenor saxophones.