Die Welt From 7.04.2016

The flagship band for East German rock, Puhdys formed officially in 1969 in Oranienburg, although members of the band had been working together since 1965. The band name was made up of the first letters of the initial members' first names, which at the start featured Peter Meyer on keyboards, Udo Jacob on drums, Harry Jeske on bass, and Dieter Herttrampf on vocals and guitar…

Throughout most of his professional life, Johann Sebastian Bach composed cantatas for use at church services: it is thought that he probably wrote at least 300 such works. Some 200 of these are still extant, of which the earliest hail from Bach's time as organist in Arnstadt (1703-07) and the last were composed only a year or two before his death in 1750. In 1995, when Masaaki Suzuki and his Bach Collegium Japan began the monumental journey of recording the cantatas, they decided to follow in Bach's footsteps.

The first complete recording of works by Heinrich Schütz with the Dresdner Kammerchor under Hans-Christoph Rademann has set artistic and editorial benchmarks. The first eight instalments of the complete recording, containing among others the Geistliche Chor-Music 1648, the Italian Madrigals and the Psalms of David, are now being released in an 11 CD boxed set. The recordings have been supplemented with an Arthaus film entitled Heinrich Schütz. Der Vater der deutschen Musik which is a documentary by Jörg Kobel, with the assistance of Hans-Christoph Rademann, about the life and work of Heinrich Schütz.

Bach revised his Johannes-Passion regularly: he returned to it over a period of twenty-six years, from 1724 to his death. It is the version hallowed by tradition, established by the Kantor a year before his death, that is presented on these CDs. But the 1725 version, equally outstanding musically, has also been recorded complete and can be downloaded as a bonus in high-resolution sound. Comparison of the two versions reveals the underlying meaning of this matchless Passion.

These Bach transcriptions for solo organ by Andre Isoir take us from the church to the Collegium Musicum, from the Sinfonia of the Cantata BWV129 to the Concerto for four harpsichords, shedding new light on some of the Cantor's most famous pieces. The performances by organists Michel Bouvard and Francois Espinasse, professors at the Conservatoires Nationaux Superieurs de Musique of Paris and Lyon, are presented as a musical tribute to their former teacher.

Das schicksalhafte Leben der schottischen Königin Maria Stuart (1542-1587) hat zahlreiche Werke der Literatur, Musik und Bildenden Kunst inspiriert. Ihr Leben eignet sich wegen der Fülle spektakulärer Ereignisse und des blutigen Endes ideal als Tragödien- und Opernstoff. Schillers Maria Stuart oder Donizettis Maria Stuarda sind dabei nur die bekanntesten Beispiele. Die Dichtungen zu ihrem Schicksal wurden im 19. Jahrhundert von vielen Komponisten zu Liedern vertont. Franziska Hirzel (Sopran) und Tobias Schabenberger (Blüthner-Flügel 1874) stellen hier einige bekannte und wenig bekannte Beispiele zu Maria Stuart aus dem 19. Jahrhundert vor.

Sony Classical presents legendary soprano Kathleen Battle in nine of her foremost studio recordings in her ‘Complete Sony Recordings’. In the course of a remarkable career, launched in 1973 by mentor James Levine in their shared hometown of Cincinnati, Kathleen Battle has captivated international audiences. She has taken home numerous awards – among them five Grammys and London’s Olivier Award for her 1985 Covent Garden debut as Zerbinetta in Strauss’s Ariadne auf Naxos, the first American singer to win that prestigious prize – and become one of classical music’s best-selling artists.