Die Biologische Herztherapie

Telemann World-Premiere Recordings. Between 1717 and 1765 Georg Philipp Telemann composed more than 1, 700 cantatas for performance on all the Sundays of the church year. Some dozen annual cycles from his period as music director in Frankfurt am Main and above all those from his Hamburg years have come down to us. In quantitative terms, the four Sundays of Advent and the three days of Christmas are the most strongly represented – with almost about two hundred cantatas. Apart from the cantatas for solo voice and solo instrument with basso continuo from his anthology Harmonischer Gottesdienst of 1725, only a few compositions for larger ensembles from this treasure trove have been edited and recorded. This album features four cantatas by Telemann that may be regarded as world-premiere recordings. They are musical gems that impress us with their melodic originality and musical character and even after more than 250 years are very much worth being performed again!

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Das Album erschien – jeweils verpackt in einer Stahlbox – als Doppel-CD- und limitiertes 5-fach-Vinyl-Album. In der Stahlbox ist eine ä-förmige Auslassung eingestanzt. Durch „Umsortieren“ der CD-Sleeves bzw. der LPs erscheint das „ä“ entweder rot oder grün (Booklet), weiß oder gelb (CD 1), schwarz oder blau (CD 2) durch die Auslassung. Auf der ersten CD befinden sich – chronologisch sortiert – alle 23 Singles der Band seit 1993. Da mit Quark / Kopfüber in die Hölle und Komm zurück / Die Banane zwei Doppel-A-Seiten-Singles vertreten sind, ergibt dies 25 Tracks. Quark ist der einzige Track, der nicht in der (textlich veränderten) Single-Version enthalten ist, sondern in der Album-Version.

Die Form is chiefly the project of French artist Philippe Fichot, who is usually accompanied by singer Eliane P. Primarily an industrial band, Die Form possess a strong gothic sensibility that is manifested in both the music and in the fetishistic sexual imagery of Fichot's lyrics. The project began by recording a number of experimental cassette releases, starting with Die Form 1 in 1977, and with the first Die Form vinyl release ('Die Puppe') appearing in 1982. Whilst the project was still in its infancy, the underlying concepts were still evident - a combination of esoteric electronic experiments with an underlying theme of erotism, death and other 'taboo' subjects, apparent in both the music and the album artwork, which Philippe also produces. Other early projects of Philippe Fichot included Krylon Hertz, Mental Code, Camera Obscura, Eva-Johanna Reichstag, Hurt and Fine Automatic.