Die Eindimensionale Wellengleichung

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Das Album erschien – jeweils verpackt in einer Stahlbox – als Doppel-CD- und limitiertes 5-fach-Vinyl-Album. In der Stahlbox ist eine ä-förmige Auslassung eingestanzt. Durch „Umsortieren“ der CD-Sleeves bzw. der LPs erscheint das „ä“ entweder rot oder grün (Booklet), weiß oder gelb (CD 1), schwarz oder blau (CD 2) durch die Auslassung. Auf der ersten CD befinden sich – chronologisch sortiert – alle 23 Singles der Band seit 1993. Da mit Quark / Kopfüber in die Hölle und Komm zurück / Die Banane zwei Doppel-A-Seiten-Singles vertreten sind, ergibt dies 25 Tracks. Quark ist der einzige Track, der nicht in der (textlich veränderten) Single-Version enthalten ist, sondern in der Album-Version.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Die Form is chiefly the project of French artist Philippe Fichot, who is usually accompanied by singer Eliane P. Primarily an industrial band, Die Form possess a strong gothic sensibility that is manifested in both the music and in the fetishistic sexual imagery of Fichot's lyrics. The project began by recording a number of experimental cassette releases, starting with Die Form 1 in 1977, and with the first Die Form vinyl release ('Die Puppe') appearing in 1982. Whilst the project was still in its infancy, the underlying concepts were still evident - a combination of esoteric electronic experiments with an underlying theme of erotism, death and other 'taboo' subjects, apparent in both the music and the album artwork, which Philippe also produces.

DIE KRUPPS mastermind Jürgen Engler is a visionary who has had a lasting influence on the music landscape for decades. In the late 1970s, he was among the first German punk rockers with his band Male In the eighties, he formed DIE KRUPPS, a driving force of the industrial and EBM movements. When this scene was taken over by the mainstream in the nineties, the group from Düsseldorf integrated tough thrash guitars into their sound and became, along with Nine Inch Nails and Ministry, the most important source of inspiration in the electro metal genre and also influenced numerous bands of the Neue Deutsche Härte (New German Hardness)…