On her second PENTATONE album Maria & Maddalena, star soprano Francesca Aspromonte explores the Two Marys in oratorios by Lulier, Bononcini, Leopoldo I d’Asburgo, Caldara, Perti, Handel and Scarlatti, partly in new editions, documenting the extremely bloom of the genre in the years around 1700. She performs these works together with violinist Boris Begelman as well as the seasoned players of I Barocchisti under the baton of the eminent Diego Fasolis. Traditionally seen as two feminine opposites, with far-reaching moral implications, Aspromonte brings the Virgin Mary and Mary Magdalene together as two beautiful and strong women who turned their lives upside down by making the choice to dedicate themselves completely to an ideal. Her interpretation of these exceptional pieces explores all the emotions of the Two Marys, constituting a fascinating and profoundly moving portrait of what it means to be a woman.
Pink Floyd have surprised fans with the release of a dozen live albums documenting some of their gigs from the early ’70s.
On his album „Odd Wisdom“, drummer Diego Piñera, together with a stellar cast of musicians, united the groove and vibe ot three different worlds: The percussive variety of his Latin-American origin, the urge for constant renewal of his current home Berlin and the energy of the metropolis New York City where the music was recorded. And with saxophonist Donny McCaslin, guitarist Ben Monder and bassist Scott Colley, three representatives of the top of current US-American jazz join Piñera and form an absorbing exchance of extraordinary enegry, sound, complexity and suspense.
The new project of this trio is a tribute to George Gershwin and more particularly "Porgy and Bess" immortalized by Ella Fitzgerald and Louis Armstrong then Miles Davis and many others. Like the Jazz standards that all Jazzmen sometimes appropriate by re-harmonizing them and/or changing metrics, the trio intends, in this new opus, to appropriate the repertoire of this Broadway opera in order to deliver a very personal version.