Dino I Mobster

The third studio long-player from the Connecticut-based indie/emo rock troupe, "Always Foreign" finds the World Is a Beautiful Place & I Am No Longer Afraid to Die nixing the mostly positive vibes of their two prior outings in favor of a deep dive into miseries both internal and external.

With THE FLEMISH CONNECTION vol. 2, I SOLISTI release a second album with works by their composer-in-residence Frederik Neyrinck. He has mastered the art of writing brilliant and innovative compositions that make the most of the wind ensemble’s wealth of sound colours quite like no other. The setting of texts and stories is a recurring theme throughout this fascinating album.

Following their award-winning recording of the Striggio 40-part Mass, I Fagiolini has returned with even more exquisite baroque music from the extraordinary year of 1612. The centerpiece is the crowning glory of the late Renaissance - Gabrieli’s Magnificat for a massive seven choirs - a work never before recorded as the music for five of the choirs has been lost. Conductor Robert Hollingworth and Renaissance scholar Hugh Keyte have taken the enormous task of reconstructing parts for the missing choirs. The album presents the best works of the greatest composers of the time in the form of a service of Vespers.

Diogenio Bigaglia, a composer who at present is unknown to most people, was active in Venice in the first half of the eighteenth century, so he was a contemporary of the much better known Tomaso Albinoni, Alessandro and Benedetto Marcello, and, above all, Antonio Vivaldi, whose work shows several evident – and more or less explicit – references to Bigaglia’s production.

Hailing from North Paris and Northern England, F.I.D.E.L pays tribute with Out Of Sight to the great Post-Disco, Boogie and New Wave pop songs that shaped the world’s collective unconscious at the twilight of the Thatcher / Cold War Era.

Claudio Monteverdi's Il ritorno d'Ulisse in Patria is a love story pur sang. With this opera he narrates the long-awaited homecoming of Odysseus after his mythical travels in the aftermath of the Trojan War. After L’Orfeo - on the programme later this season - it was the second opera composed by the Italian master. Performing this masterpiece is I Gemelli, a young French ensemble founded by Chilean-Swiss tenor Emiliano Gonzalez Toro. The ensemble consists of a splendid cast including Fleur Barron, Emöke Barath and Zachary Wilder. Together, they will transform this tale of the union between Odysseus and his beloved Penelope into a breathtaking evening.

It's only fitting that Khruangbin’s first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who’ve become family along the way. Khruangbin’s ‘Live At’ series of live LPs traces just one small slice of the band’s flight plan through the years: it’s a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording’s home turf, just a little something extra for the fans that bring a little something extra. Most of all, Khruangbin’s ‘Live at’ series ignites both sides of the band’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.

Men I Trust is proud to bring you their highly anticipated new album titled Oncle Jazz. After a year of extensive touring around the globe, Men I trust are now ready to share Oncle Jazz with Their Fans. 23 warm and intricately crafted tracks Featuring the Singles "Tailwhip", "Norton commander", "Seven" and more. "We took our time to craft it with love and we're very proud of how it came together. This album was mixed quietly so it sounds warmer and more natural. Be sure to turn the volume up!" - Men I Trust

I Fagiolini’s re-discovery and recording of Striggio’s longlost Mass in 40/60 Parts was ground-breaking when it was released in 2011. The premiere recording won awards around the world including the Gramophone Early Music Award and a Diapason d’Or de l’Année in France and remains a trailblazing account of this Renaissance epic. It is complemented on this album by Tallis’s Spem in alium which it is said to have inspired. The Gramophone citation particularly mentioned the new lustre brought to the piece by instrumental involvement and the clarity brought to the detail by the use of viols, cornetts, sackbuts, dulcians and more. Eight further works by Striggio are also included, each of them premiere recordings in 2011.