Divide Bertinotti

The Band - Across The Great Divide (1994) {3 CD Box Set Capitol D207193}
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© 1994 Capitol Records | D207193
Rock / Album Rock / Country-Rock / Folk-Rock / Psychedelic / Rock & Roll

Let face it… The Band brought new life to U.S. musical expression in the 60's after the British invasion. Across the Great Divide: continues that legacy. These're some of my favorite listening pieces, and as a longtime Band fan, I think matches the feel and diversity of "Americana roots" music that "The Band" brought to the ears of the world via North America. May these cuts carry on this traditional inspiration for musicians and music lovers everywhere.

Various Artists - Across the Great Divide: Getting It Together in the Country 1968-1974 (2019) {3CD Set, Grapefruit Records}
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© 1968-74, 2019 Grapefruit Records / Cherry Red | CRSEGBOX061
Rock / Folk Rock / Country Rock

As the Day-Glo tide of psychedelic that swept over the U.K. in the late '60s began to recede, something far less ornate and flashy took root in its place. Spurred on by the artistic and commercial success of Traffic's folk- and jazz-influenced debut album – which was recorded out in the countryside – the Byrds headlong plunge into country-rock on Sweetheart of the Rodeo, and the Band's brilliant slice of backwoods Americana, Music from Big Pink, all sorts of groups and artists sprouted up to play loose and wooly blends of organically grown folk, country, jazz, and rock. Some of the bands were beat group leftovers looking to evolve past paisley (the Searchers, the Tremeloes), some were city boys gone to seed (Mott the Hoople, the Pretty Things), and some were just weirdos like Greasy Bear, or lazy-Sunday balladeers like Curtiss Maldoon, all doing their own freaky thing.

John Lennon McCullagh - North South Divide (2013) {359 Music - 359CD1}
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© 2013 359 Music / Cherry Red Records | 359CD1
Rock / British Trad Rock / Indie Folk / Alternative Singer/Songwriter / Blues

North South Divide is a collection of songs produced in an exceptionally sparse manner, with McCullagh’s vocals, guitar and harmonica only joined by a violin on a couple of tracks. Whilst most people of 15 years old would often hide behind a wall of noise and confusion, this delicate approach to song writing gives McCullagh a great platform to tell his stories. Comparisons with Bob Dylan abound, most notably when the harmonica comes out, and none more so than in the track ‘White Rose’, where gentle open chord fingerpicking sits alongside a beautiful ballad and the Dylanesque blowing.