Dixon rh

L’intelligence artificielle véhicule beaucoup de fantasmes. Son impact sur le management des hommes et des organisations est une réalité aujourd’hui. Cet ouvrage prend du recul par rapport à la frénésie actuelle pour mieux cerner les enjeux et s’interroger sur la façon dont l’IA peut améliorer, révolutionner même, les pratiques en ressources humaines. Il invite le lecteur à comprendre et à décrypter les mutations apportées par l’IA et ses répercussions possibles. …

As the main songwriter for Chicago's Chess label, bassist/singer Willie Dixon was one of the most influential and prolific figures in blues. Although he often served as a session player for other well-known musicians, his soulful presence was always felt, as revealed on this excellent 18-track collection which features Dixon performing with Buddy Guy, Junior Wells, Magic Sam, Otis Rush, and other blues luminaries.

When Willie Dixon left his native Mississippi and traveled north to Chicago, he almost single-handedly dragged the blues with him into the modern era, giving the country blues a hard, new sheen with his deft songwriting, sturdy bass playing, and his considerable talents as a producer and arranger. This two-disc, 47-track set catches Dixon wearing all of his hats, with the first disc featuring him in the studio and in concert (including several live tracks with Johnny Winter) and the second spotlighting his bass playing and production work with the likes of Robert Nighthawk, Eddie Boyd, Muddy Waters, Little Walter, Lowell Fulson, Bo Diddley, Willie Mabon, and Howlin' Wolf. What emerges is a well-rounded portrait and introduction to one of the major architects of the modern blues sound.

Un ouvrage de 140 000 caractères, 22 600, 116 pages en équivalent papier.
En m’engageant dans les Ressources humaines, j'avais une image idéalisée de ma fonction. J’allais contribuer au bien-être des forces vives de l'entreprise, améliorer l'environnement de travail, révéler certains talents et leur permettre de s’épanouir…

There was a time when swing-oriented jazz, R&B and blues overlapped to form an accessible yet intelligent style of music. In the late '40s Louis Jordan, Charles Brown and Amos Milburn were popular figures and Floyd Dixon (although a bit in their shadow) was not far behind. When rock & roll suddenly took over pop music in the mid-'50s, the middle-aged black performers were tossed off the charts in favor of their younger white imitators and work began to become scarce. Fortunately Floyd Dixon survived the lean years and, as with Charles Brown, he made a "comeback." This CD is a definitive Floyd Dixon release, mixing together older hits (including his signature tune "Hey, Bartender") with newer originals; all 16 selections were written or co-composed by Dixon.