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The documentary Willie Dixon: I Am the Blues examines the remarkably influential career of musician Willie Dixon. In addition to an explanation of how his work for Chess records revolutionized blues and rock & roll, the man performs eight songs, including "Wang Bang Doodle," "I Just Want to Make Love to You," and "I Got the Blues."
Willie Dixon's life and work was virtually an embodiment of the progress of the blues, from an accidental creation of the descendants of freed slaves to a recognized and vital part of America's musical heritage.

Willie Dixon - The Big Three Trio (1990)
Classic Blues/Boogie/Jazz/Humor | MP3@192kbps | 00:53:14 | 79 MB

Twenty-one enjoyable light blues and pop numbers from 1947 to 1952 sway, sashay, or boogie~compliments of Leonard Caston on piano, Bernardo Dennis or Ollie Crawford on guitar, and Dixon on bass fiddle. The three harmonize capably.

When Willie Dixon left his native Mississippi and traveled north to Chicago, he almost single-handedly dragged the blues with him into the modern era, giving the country blues a hard, new sheen with his deft songwriting, sturdy bass playing, and his considerable talents as a producer and arranger. This two-disc, 47-track set catches Dixon wearing all of his hats, with the first disc featuring him in the studio and in concert (including several live tracks with Johnny Winter) and the second spotlighting his bass playing and production work with the likes of Robert Nighthawk, Eddie Boyd, Muddy Waters, Little Walter, Lowell Fulson, Bo Diddley, Willie Mabon, and Howlin' Wolf. What emerges is a well-rounded portrait and introduction to one of the major architects of the modern blues sound.

When Willie Dixon left his native Mississippi and traveled north to Chicago, he almost single-handedly dragged the blues with him into the modern era, giving the country blues a hard, new sheen with his deft songwriting, sturdy bass playing, and his considerable talents as a producer and arranger. This two-disc, 47-track set catches Dixon wearing all of his hats, with the first disc featuring him in the studio and in concert (including several live tracks with Johnny Winter) and the second spotlighting his bass playing and production work with the likes of Robert Nighthawk, Eddie Boyd, Muddy Waters, Little Walter, Lowell Fulson, Bo Diddley, Willie Mabon, and Howlin' Wolf. What emerges is a well-rounded portrait and introduction to one of the major architects of the modern blues sound.