Doc & Merle Watson Bear's Sonic Journals Never The Same Way Once (live) (2017)

The Way We Live wasn't a terribly commercial or compelling name for a rock band, and Tractor is a yet more awkward and less appealing moniker. Yet, for some reason, that's what the Way We Live changed their name to between the 1971 A Candle for Judith album (which turned out to be the only the Way We Live LP) and their 1972 follow-up, Tractor. Both albums are combined onto one CD on this 1994 reissue by See For Miles. A Candle for Judith was uneven, second-division, early-'70s British hippie rock, divided between lumpy, bluesy hard rock and far folkier, pastoral, acoustic-flavored musings.

The first time Dandelion label head John Peel heard the Way We Live, courtesy of a demo tape they mailed him, he thought someone was playing a trick on him - some accomplished superstar band, perhaps. Only when he actually met the duo did he discover that they really were as good as their demo insisted, and A Candle for Judith - itself comprising exactly the same songs as that original tape - allows the listener to share in Peel's amazement. Eight tracks find the band drifting across the musical spectrum, sometimes heavy (the opening "King Dick II" sounds almost Sabbath-like), sometimes folky, but never less than fascinating. Comparisons to Pink Floyd, one of the few bands to exercise similar disparate energies over the course of one album, are misleading, however…

Their music crosses over rock blues and soul in such a way that they alone can perform, write and produce. "Songs to move your body mind and soul." The band had its first big break with their moving interpretation of Going to California on the platinum selling Led Zeppelin tribute album "Encomium" swiftly followed by the release of their 1995 self-titled album "Never the Bride" on the Atlantic label in the USA. Since then they have sold records all around the world. They are continually being "discovered" by music fans with the help of the Internet and their web site as well as conventional means. Their live following has gone from strength to strength following performances around the world from supporting The Who at Wembley arena to ZZ Top in Sydney Australia, a spot on the Plant and Page gig at The Forum in Los Angeles as well as shows in their own right in the UK, Europe and the USA.

The music chosen for this recording is strangely and poignantly relevant, I believe, for each of us. We all now understand “The Fruit of Silence,” a motet that reminds us to visit those beliefs which are most sacred in the work by Cortlandt Matthews, or now, a deeply personal Requiem by Peter Relph that in reflection, remembers the hundreds of thousands of lives lost in this pandemic. And then there is the LaVoy work “O Great Beyond.” While all great texts speak to the universality of the human condition and, if are truthful, are timeless. Particularly the George Fox text set by Jackson Hill and the Tagore text set by LaVoy give us messages to reinforce the humanness of each of us for hope. Two works on this disc poignantly remind us of the passing of life in the Relph Requiem and especially the final movement of “O Great Beyond.” May these words give comfort to all those who endured the deepest of Life’s losses during our shared Pandemic journey. For, so many loved ones, goodbyes were said in silence, and alone.

The first time Dandelion label head John Peel heard the Way We Live, courtesy of a demo tape they mailed him, he thought someone was playing a trick on him - some accomplished superstar band, perhaps. Only when he actually met the duo did he discover that they really were as good as their demo insisted, and A Candle for Judith - itself comprising exactly the same songs as that original tape - allows the listener to share in Peel's amazement. Eight tracks find the band drifting across the musical spectrum, sometimes heavy (the opening "King Dick II" sounds almost Sabbath-like), sometimes folky, but never less than fascinating. Comparisons to Pink Floyd, one of the few bands to exercise similar disparate energies over the course of one album, are misleading, however…