Dominic Desjardin Concerto à Quatre Pattes

David Salmon and Manuel Vieillard have chosen three major works composed the turn of the 19th to the 20th century, which, each in their own way, are the result of total creative freedom.

Funereal variations, wild or melancholic waltzes, Hungarian dances with gypsy accents: this is an anthology of Brahmsian aesthetics that beautifully concludes the complete chamber music of the composer on B Records. Théo Fouchenneret and Éric Le Sage give all its colors and contrasts to the too often underestimated repertoire of the four-hand piano. Théo Fouchenneret won First Prize at the Geneva International Competition in November 2018 before being named ‘Instrumental Solo Discovery’ of the year at the Victoires de la Musique Classique. The sensitivity and poetry of his touch but also the maturity of his interpretations are unanimously agreed to distinguish this young French pianist from other performers of his generation. Eric Le Sage is recognized as a musician of rare musical sensitivity, and is established as one of the leading pianists of his generation. He is a highly acclaimed performer of Schumann’s piano music and of chamber music in general, and his deep interest in unknown works has earned him a catalogue of over 50 concertos.