Toys in the Attic is the third studio album by American rock band Aerosmith, released in April 1975 by Columbia Records. Its first single, "Sweet Emotion," was released on May 19 and "Walk This Way" followed on August 28 in the same year. The album is the band's most commercially successful studio LP in the United States, with eight million copies sold, according to the RIAA. The album was ranked No. 229 on Rolling Stone's list of The 500 Greatest Albums of All Time. The album's title track and Run–D.M.C.'s version of "Walk This Way" are included on the Rock and Roll Hall of Fame list of the "500 Songs that Shaped Rock and Roll".
From the start of their recording career, Athens, Georgia's finest have been a fertile source of cover tunes, non-album B-sides and alternate versions. This limited-edition collection compiles a baker's dozen of rarities and oddities, including the band's readings of Pylon's "Crazy," Aerosmith's "Toys in the Attic," the Floyd Cramer instrumental "Last Date," and the gospel number "Tired of Singing Trouble," plus a variety of alternate mixes and live versions. Rounding out the set are a pair of ramshackle acoustic numbers from the soundtrack of the documentary Athens GA, Inside Out, "Swan Swan H" and the Everly Brothers' "All I Have to Do Is Dream." Although a couple of tracks overlap the band's 1987 rarities package Dead Letter Office, In the Attic is a handy adjunct to R.E.M.'s album catalog.
After nearly getting off the ground with Get Your Wings, Aerosmith finally perfected their mix of Stonesy raunch and Zeppelin-esque riffing with their third album, Toys in the Attic. The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like "Walk This Way," "Toys in the Attic," and "Sweet Emotion," but Steven Tyler has fully embraced sleaziness as his artistic muse.
The one astounding studio album of proto punk/abrasive psych genius from the Monks – a true masterpiece if their ever was one, a record that's been ripped off by myriad more famous groups in both the mainstream and rock underground of the past 40 years! The group's status as discharged G.I.'s informs some of spewed vitriol, but beyond that there's little connection to any trends or scenes, the Monks are true originals in a world of imitators, and that adds a layer of excitement to an already mind blowing listen.
The Monks started life as five American GIs stationed in Germany, playing beat music together during downtime. After their discharge Gary Burger, Larry Clark, Dave Day, Eddie Shaw and Roger Johnston formed The Torquays, a band that only morphed into The Monks after a bit of conceptualising, stipulating that the group should become the "anti-Beatles", wearing robes and nooses around their necks (stealing the theatrical thunder from SunnO))) by forty years or so).