Dongshan's Five Ranks

Though Collectables' Psychotic Reaction: The Complete Psychotic Reaction did include every one of the band's 18 officially released tracks, Big Beat's Psychotic Revelation: The Ultimate Count Five does indeed replace it as the ultimate Count Five compilation. It's not just because it includes every one of those 18 tracks and then some, with half a dozen unreleased outtakes, demos, and unedited versions. It's also because there's a great 24-page booklet on the history of the band by Alec Palao that clears up much of the mystery surrounding the Count Five, with quotes from most of the members. While the additional material is neither that revelatory or voluminous, it does include some nice bonuses. Prominent among them is the original unedited version of "Psychotic Reaction," with a previously unheard tag and key change at the end, though Double Shot Records was wise to release the reassembled version that became the big hit…

Though Collectables' Psychotic Reaction: The Complete Psychotic Reaction did include every one of the band's 18 officially released tracks, Big Beat's Psychotic Revelation: The Ultimate Count Five does indeed replace it as the ultimate Count Five compilation. It's not just because it includes every one of those 18 tracks and then some, with half a dozen unreleased outtakes, demos, and unedited versions. It's also because there's a great 24-page booklet on the history of the band by Alec Palao that clears up much of the mystery surrounding the Count Five, with quotes from most of the members. While the additional material is neither that revelatory or voluminous, it does include some nice bonuses. Prominent among them is the original unedited version of "Psychotic Reaction," with a previously unheard tag and key change at the end, though Double Shot Records was wise to release the reassembled version that became the big hit…

Although often overshadowed by the Los Angeles and New York folk-rock scenes, San Francisco also contributed several notable bands. Among them are We Five, featuring Mike Stewart (vocals/guitar/banjo) - brother of Kingston Trio member John Stewart - Peter Fullerton (vocals/bass), Beverly Bivens (vocals), Bob Jones (guitar/vocals), and Jerry Bergan (guitar/vocals). The quintet was among the first Bay Area groups to have chart success merging acoustic-based folk music with electric instrumentation. This single CD, from mail-order archivists Collector's Choice Music, contains the quintet's first two long-players: You Were on My Mind and Make Someone Happy. Both titles are similar in style and content, charting the linear progression of pop music and its fusion with folk, rock & roll, and post-bop jazz…

New album “Soiree Deluxe”- get in! Tape Five is an international studio project based in Germany created by multi-instrumentalist songwriter-producer Martin Strathausen. Tape Five combines a variety of styles and influences: The focus on Swing or Electro-Swing, but also Bossanova, Latin, Soul and NuJazz with their very own vivid retro interpretation in a classy way. For years, Tape Five has expanding global record sales and millions of Spotify streams, it´s albums frequently appear in the top 40 charts of the big international online-retailers… Selected songs can be found on about a thousand compilations (“Café del Mar”, “Campari Lounge”, “Swing Mania” and many more), they can be heard on Ad-campaigns from Spain and Hongkong to the USA and are playlisted on countless radio stations.

The Sound Of Music by Pizzicato Five was Pizzicato Five's third release in the United States under the label Matador Records. The album was Matador's second compilation of Pizzicato Five's previously released material, with an emphasis on their albums Bossanova 2001 and Overdose.

Today’s brace of badness comes from one of those records that is always turning up in lists of terrible LP sleeves but very few people have actually bothered to listen to, Sour Cream and Other Delights by The Frivolous Five…

Five Man Electrical Band, one of the more creative Canadian groups of the early '70s, edged toward the American "big-time" without ever really receiving its due. Springing from the accomplished harmonies of all five bandmembers and leader Les Emerson's socially-attuned penmanship, the band was equally at home firing off catchy pop hits ("Signs," "Absolutely Right") as it was with more ambitious, roots-rock-grounded album material ("Coming of Age," "Country Girl Suite"). Fifteen-track collection Absolutely Right does justice to both sides, and how these merged to culminate in the environmental polemic sweep of "I'm a Stranger Here" and decidedly odd chart-fodder "Werewolf."