Doomsday Voyage (1972)

The second part (My ain folk) of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland.

When a trio of free-spirited young women insists on spending the night in a castle rumored to be owned by the Devil himself, their cobweb-and-candelabra lark triggers a nightmare of lust, violence, vampirism, and Satanic seduction.

Julius Caesar faces a powerful alliance of barbarians led by an infamous Gaul warlord, Vercingetorix. Julius Caesar's relentless pursuit of power pits him against a mighty force, the battle-hardened tribes of Gaul who once roamed France.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens. blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the

Ground control has been receiving strange transmissions from the three remaining residents of the Solaris space station. When cosmonaut and psychologist Kris Kelvin is sent to investigate, he experiences the strange phenomena that afflict the Solaris crew, sending him on a voyage into the darkest recesses of his own consciousness. In Solaris, legendary Russian filmmaker Andrei Tarkovsky creates a brilliantly original science fiction epic that challenges our preconceived notions of love, truth, and humanity itself.

Les films de Jean Rouch, archives uniques sur l’Afrique, petits bijoux pour les cinéphiles, sont aussi des contes qui mettent en scène des histoires toutes simples - la chasse, le voyage, l’amour et la mort, l’apprentissage et l’amitié - à la portée universelle. Certains films relèvent de la tradition anthropologique pure, d’autres de la fiction humoristique. Des thématiques (« Ciné-Transe », « Ciné-Conte », « Ciné-Plaisir » et « Ciné-Rencontre ») permettent de mieux appréhender la diversité, le foisonnement de l’œuvre Rouchienne. Des « viatiques », ou courtes introductions, dits par Bernard Surugue, replacent succinctement chaque film dans son histoire.

Doomsday Preppers explores the lives of otherwise ordinary Americans who are preparing for the end of the world as we know it. Unique in their beliefs, motivations, and strategies, preppers will go to whatever lengths they can to make sure they are prepared for any of life’s uncertainties. And with our expert’s assessment, they will find out their chances of survival if their worst fears become a reality.

We, as a planet populated by humans with nowhere else to go, have 100 seconds left to live because humanity teeters on the brink of self-destruction. While this sounds like the start of an apocalyptic disaster movie, it is in fact, reality. The Doomsday Clock is a warning of man's ability to create something that could destroy everything, humanity's very existence, a count-down timer to the point of no return - humanity's doomsday. It symbolizes how close humans as a species, have come to destroying the world with dangerous man-made technologies.