Dottie West Here Comes My Baby

Dottie West (born Dorothy Marie Marsh) was an American country music singer and songwriter. Along with her friends and fellow recording artists Patsy Cline and Loretta Lynn, she is considered one of the genre's most influential and groundbreaking female artists. "Here Comes My Baby" is her first album for RCA Victor. he originally signed with the label a year before, while recording a Top 10 Country hit with Jim Reeves and a Top 40 single of her own.

Dottie West Sings is the name of a country music album by country singer, Dottie West, released in 1965. This is Dottie West's second studio album released by RCA Victor. The previous year, West successfully entered the country market with the Top 10 Grammy Award-winning hit, "Here Comes My Baby". The singles from her second album didn't hit the Top 10 or 20 but did enter the Country Top 40 chart. These two singles were, "Gettin' Married Has Made Us Strangers" and "No Sign of Living". The latter song was written by Jessi Colter, the future wife of Waylon Jennings who became a country singer herself in the mid-1970s. This album did well on the "Top Country Albums" chart, reaching No. 12.

Dottie West (born Dorothy Marie Marsh; October 11, 1932 – September 4, 1991) was an American country music singer and songwriter. Along with her friends and fellow recording artists Patsy Cline and Loretta Lynn, she is considered one of the genre's most influential and groundbreaking female artists. Dottie West's career started in the 1960s, with her Top 10 hit, "Here Comes My Baby Back Again", which won her a Grammy Award for Best Female Country Vocal Performance in 1965, the first female in Country Music to receive a Grammy.

(Remember Me) I'm the One Who Loves You is a 1965 studio album by Dean Martin, produced by Jimmy Bowen and arranged by Ernie Freeman. The album was Martin's fifth album to appear in the Top 40, and peaked at number 12 on the Billboard Top LP's chart.

Eddy Arnold drifted steadily toward the pop mainstream throughout the late '50s and '60s until, with T"he Last Word in Lonesome", he arrived at his destination. "Country-pop" and "Nashville sound" do not describe the music here – it is pure MOR pop vocal material of the sort in which John Gary and Al Martino dealt.

Having made an enormous contribution to the establishment of the Nashville Sound and the modernisation of country music, Anita Kerr felt the need to expand her artistic horizons and in 1965, made the move from Nashville to Hollywood. She wanted to work with different people, to get her own songs recorded, to play jazz, to conduct an orchestra, to take on more ambitious and more varied projects musically, and to form a vocal group which, rather than be confined to studio sessions, might also appear in club and concert settings. Her arrival on the West Coast was well timed. She had just fought off The Beatles to win a Grammy for the album We Dig Mancini and she was quickly able to assemble a stellar Anita Kerr Singers (B.J Baker: alto, Gene Merlino: tenor; Bob Tebow: bass, with Anita herself as soprano and soloist) and secure a contract more tailored to her needs with Warner Brothers. The result over the next two years, were these five superbly fashioned albums.