Double Indemnity

From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir  eBooks & eLearning

Posted by tarantoga at April 2, 2024
From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir

Alain Silver, James Ursini, "From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir (Turner Classic Movies)"
English | ISBN: 0762484934 | 2024 | EPUB | 352 pages | 92 MB
From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir [Audiobook]

From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir [Audiobook]
English | ASIN: B0CBNDCK57 | 2024 | 8 hours and 45 minutes | M4B@64 kbps | 252 MB
Author: Alain Silver, James Ursini
Narrator: Richard Poe

«Double Indemnity» by James Cain  Audiobooks

Posted by Gelsomino at Dec. 24, 2019
«Double Indemnity» by James Cain

«Double Indemnity» by James Cain
English | ISBN: 9780060854546 | MP3@64 kbps | 3h 17m | 90.3 MB

Double Indemnity  Movies

Posted by at Jan. 11, 2024
Double Indemnity

Double Indemnity (1944)
A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy. Against a backdrop of distinctly Californian settings, the partners in crime plan the perfect murder to collect the insurance, which pays double if the death is accidental.
Crime  Thriller 
Charles Gerhardt - Charles Gerhardt Conducts Classic Film Scores (2020)

Charles Gerhardt - Charles Gerhardt Conducts Classic Film Scores (2020)
FLAC (tracks) - 3.3 GB | MP3 CBR 320 kbps - 1.3 GB
9:50:35 | Soundtrack | Label: RCA Red Seal / Sony Classical

Sony Classical announces another ten releases in its popular series of Classical Masters. This new batch of budget-priced sets contains major recording projects by some of the 20th centurys most celebrated musicians. It was the Warner Brothers 1946 Bette Davis starrer Deception in particular, its score by Erich Wolfgang Korngold that originally aroused a passion for film music in the American conductor and producer Charles Gerhardt. Beginning his career in 1950 as a technician for RCA, where he came into contact with Toscanini, he went on to become a producer for Westminster before returning to RCA as a conductor, moving to Europe and making his name in the 1970s with the monumental series of recordings collected here for the first time: twelve discs of classic film scores, many of them Oscar winners or nominees, from Hollywoods golden age with Gerhardt at the helm of Londons elite recording ensemble, the National Philharmonic Orchestra.
Miklos Rozsa - The Strange Love of Martha Ivers: Music from the Motion Picture (1946) Limited Edition 2012

Miklós Rózsa - The Strange Love of Martha Ivers: Music from the Motion Picture (1946/2012)
EAC | FLAC (Image) + cue.+log ~ 216 Mb | Mp3, CBR320 kbps ~ 120 Mb | Scans included
Soundtrack, Score | Label: Kritzerland | # KR 20022-9 | Time: 00:48:12

It was 1946 and film noir was everywhere, from low budget quickies to major studio releases. Of course, the studios didn’t realize they were making films noir, since that term had just been coined by French film critic Nino Frank. The noirs of 1946 included: The Killers, The Blue Dahlia, The Big Sleep, Gilda, The Postman Always Rings Twice, The Stranger, The Dark Mirror, The Black Angel and The Strange Love of Martha Ivers. The Strange Love of Martha Ivers was an “A” picture from Paramount, produced by Hal B. Wallis. It featured a terrific cast, including Barbara Stanwyck (who’d been in the classic noir Double Indemnity two years prior), Van Heflin, smoky-voiced Lizabeth Scott, Judith Anderson and, in his film debut, a young actor named Kirk Douglas. It’sa terrific picture with wonderful dialogue, elegant direction and great performances – it’s noir, it’s melodrama, and the whole film crackles with electricity. And perfectly capturing every mood, every character and every situation is the classic score by Miklós Rózsa. The music for The Strange Love of Martha Ivers is almost a second cousin to Double Indemnity and The Lost Weekend, filled with the incredible Rózsa sound of that era.

«Some Like It Wilder» by Gene D.Phillips  eBooks & eLearning

Posted by Gelsomino at June 23, 2023
«Some Like It Wilder» by Gene D.Phillips

«Some Like It Wilder» by Gene D.Phillips
English | EPUB | 2.0 MB

Stephan Oliva - Film Noir (2010)  Music

Posted by Domestos at March 24, 2019
Stephan Oliva - Film Noir (2010)

Stephan Oliva - Film Noir (2010)
EAC Rip | FLAC (tracks+.cue, log) ~ 157.27 Mb | 47:01 | Covers
Contemporary Jazz, Free Improvisation | Country: France | Label: Illusions - ILL 313005

Dans les années 1950 et 1960, cinéphilie allait de pair avec jazzophilie. Que l'on lise le sobre et émouvant Le Jour où Gary Cooper est mort, de Michel Boujut (éd. Rivages), on verra que l'un n'allait pas sans l'autre pour sa génération, comme en témoignent aussi la vie et l'oeuvre d'Alain Corneau et de Bertrand Tavernier. La culture de Stéphan Oliva (pourtant né en 1959) se nourrit de ces années-là. Pianiste, il s'est choisi pour maître Lennie Tristano (1919-1978), l'aveugle « voyant » rimbaldien, et plus encore mallarméen, qui tirait de Bach l'essence du jazz. Cinéphile, Oliva nous avait déjà gratifiés, en 2007, d'un piano solo de Ghosts of Bernard Herrmann, qui comblait les fans du compositeur de Hitchcock et de Scorsese. A présent, les amateurs de films noirs sont à nouveau servis. Oliva a choisi onze oeuvres emblématiques du genre - The Asphalt Jungle, Touch of evil, Whirlpool, Killer's Kiss, Sunset Boulevard, Odds against tomorrow, La Nuit du chasseur, et une suite inspirée par quatre films d'Akira Kurosawa.
VA - Jazz Noire - Darktown Sleaze From The Mean Streets Of 1940s L.A. (2011)

VA - Jazz Noire - Darktown Sleaze From The Mean Streets Of 1940s L.A. (2011)
EAC Rip | FLAC (tracks, cue, log) - 343 MB
2:32:30 | Jazz, Blues, Rhythm & Blues, Big Band | Label: Fantastic Voyage

Amazon review by Runmentionable
This is a comprehensive, well-selected and obviously well-informed collection of late 40s jazz and R&B (in the old sense) of the type you might expect to hear in nightclub scenes in films noir. Appropriately enough, both discs are bookended by the theme music from classics of the genre.
Some of the selections are very familiar - Monk's original recording of Round Midnight - while others are drawn from deeper wells, like Leo Parker's exquisite Solitude. The key point is - they're all excellent representations of their genres. After that, it's down to personal tastes. I prefer Billie Holiday in more sprightly mode, but lots of people love the tracks here which I find a bit too self-pitying, and the difference of opinion don't signify when it comes to assessing this excellent compilation.
Vinnie Colaiuta & Mark Isham - Hard Candy (2021) {A-Tone Recordings}

Vinnie Colaiuta & Mark Isham - Hard Candy (2021) {A-Tone Recordings}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 163 Mb | MP3 @320 -> 61 Mb | Cover | 5% repair rar
© 2021 A-Tone Recordings, an imprint of Extreme Music
Jazz / Electronic / Jazz Fusion / Progressive Electronic

A very versatile drummer, Vinnie Colaiuta is impossible to pigeonhole as just a specialist in only one or two areas. He is capable of playing very credible pop-jazz, or recording with Buell Neidlinger and Marty Krystall in a post-bop quartet. Colaiuta's talents were obvious from an early age. After attending the Berklee School of Music, he worked with Frank Zappa (1978) and then performed with Joni Mitchell for several years. Settling in Los Angeles in 1983, Colaiuta worked for seven years as a very busy studio musician. In 1990 he went back on the road with Sting and in 1994 had his first record date as a leader, the self-titled Vinnie Colaiuta on the Stretch label.