Drethi Anis

Conversation Practise: Formal and Informal

Three substantial piano sonatas stand at the heart of a recording that reflects personal and musical independence. For Anis Fuleihan, the juxtaposition of archaic and modern is both kaleidoscopic and playful, while Boghos Gelalian draws on folkloric and late-Romantic influences in his brand of ‘Orientalism.’ Houtaf Khoury’s Sonata No. 4 both questions and reflects unsettling contemporary experience in a work of audacious, pulsing intensity. Tatiana Primak-Khoury is a Ukrainian-Lebanese pianist. She began her concert career in her native Ukraine before extending her activities to performances in Europe, the United States and the Middle East. A laureate of national and international piano competitions, she graduated with honors from the Kiev Lysenko Special Music School in 1991, going on to study for a Master’s degree at the Tchaikovsky National Academy of Music in Kiev in 1996. In 1998 she moved to Lebanon, and has since been committed to expanding the boundaries of her traditional repertoire, constantly searching for and adding new contemporary works by Ovchinnikov, Rautavaara, Saygun and Panufnik among many others.

Three substantial piano sonatas stand at the heart of a recording that reflects personal and musical independence. For Anis Fuleihan, the juxtaposition of archaic and modern is both kaleidoscopic and playful, while Boghos Gelalian draws on folkloric and late-Romantic influences in his brand of ‘Orientalism.’ Houtaf Khoury’s Sonata No. 4 both questions and reflects unsettling contemporary experience in a work of audacious, pulsing intensity. Tatiana Primak-Khoury is a Ukrainian-Lebanese pianist.