2017 three CD collection. In the early 70's, Alice Cooper was a five-member band that became one of the biggest exponents of glam rock and whose fame reached global proportions, with gold and platinum albums around the world. In 1975, the band broke up and Alice Cooper became a solo artist. The Many Faces Of Alice Cooper digs deep into the band's story and compiles for the first time in one single album, the works of the members of Alice Cooper after the breakup, in addition to paying homage to their impressive repertoire. We started with Michael Bruce.
The Shadows have gotten a magnificent sendoff with this concert DVD from their final tour, undertaken in 2004 and featuring Hank Marvin, Bruce Welch, and Brian Bennett, supported by Mark Griffiths on bass and Cliff Hall on keyboards…
The music of Thelonious Monk and Bud Powell continues to reveal inner secrets, as this engaging set by dummer Paul Motian and his Electric Bebop Band shows. The group's name of the group is a function of the two electric guitars (Kurt Rosenwinkel and Steve Cardenas) and the electric bass (Steve Swallow), although the remaining members are strictly acoustic (tenor saxophones Chris Cheek and Chris Potter and, of course, drummer Motian). The arrangements are entirely respectful of the compositions, although liberties are taken with tempo and harmony. The results are more than satisfactory, if somewhat conservative, with the solos passed about generously. Motian again reveals his ability to kick and burn, as well as play sensitively, reaffirming his place among the greatest jazz drummers.
The Afrobeat legend Tony Allen died in the spring of 2020 at the age of 79. The year prior, the iconic drummer wrote and produced all of the beats for a newly announced album: There Is No End is out on April 30, the anniversary of Allen’s death, via Blue Note. There Is No End was produced by Allen, Vincent Taeger, and Vincent Taurelle. The 14-track LP features guest vocals from Danny Brown, Sampa the Great, Lava La Rue, and more. Today, Blue Note has released lead single “Cosmosis” (featuring Skepta and Ben Okiri), which is co-produced by Allen, Damon Albarn, and Remi Kabaka.
Rachel Z, a talented young keyboardist, sticks to acoustic piano and varies the personnel and instrumentation from track-to-track on this interesting set. In addition to a woodwind section, such players as violinist Regina Carter, tenor saxophonist George Garzone, bassist Charnett Moffett and drummers Terri Lyne Carrington and Cindy Blackman are among the supporting cast. Rachel's ten originals (which are dedicated to various women ranging from her mother and a 17th-century painter to Billie Holiday and Joni Mitchell) cover a lot of moods with the emphasis on relaxed and thoughtful pieces. Although her own piano playing sometimes recalls Herbie Hancock and Chick Corea (along with touches of Bill Evans and Keith Jarrett), Rachel Z is gradually developing her own style.
Jo Jones shifted the timekeeping role of the drums from the bass drum to the hi-hat cymbal, greatly influencing all swing and bop drummers. Buddy Rich and Louie Bellson were just two musicians who learned from his light but forceful playing, as Jones swung the Count Basie Orchestra with just the right accents and sounds. After growing up in Alabama, Jones worked as a drummer and tap dancer with carnival shows. He joined Walter Page's Blue Devils in Oklahoma City in the late '20s. After a period with Lloyd Hunter's band in Nebraska, Jones moved to Kansas City in 1933, joining Count Basie's band the following year. He went with Basie to New York in 1936 and with Basie, Freddie Green, and Walter Page, he formed one of the great rhythm sections…