André Previn turned seventy in 1999. From Berlin refugee to multi-Oscar-winning film score composer, from great jazz pianist to chief conductor of both the London Symphony and the Los Angeles Philharmonic Orchestras, through four marriages including Mia Farrow and present wife Heather, with an honorary knighthood for his services to British music, his story is extraordinary. Previn's remarkable career reached a climax in September 1998 with the premier of his first opera, A Streetcar Named Desire. He also conducted the production at the San Francisco Opera, with Renée Fleming as Blanche.
Charles Mackerras teases the romantic beauty from Gounod's score, which has been widely admired since its first performance at the Théâtre Lyrique, Paris, in 1867. In this 1994 recording, the youthful Roberto Alagna as Roméo and Leontina Vaduva as the unattainable Juliette lead an excellent cast in this touching portrayal of impossible love, based on Shakespeare's play.
This famous production of Donizetti’s Mary Stuart was one of English National Opera’s most memorable from the 1980’s. Dame Janet Baker chose the title role of Donizetti’s Scottish queen for her farewell to the London operatic stage in 1982. It was a triumph for Dame Janet, in one of the most rewarding of operatic roles. As Mary, she displays her full range as a great singing actress, at times imperious and confrontational, yet during the quieter reflective moments intensely moving. Her adversary Elizabeth is sung by Rosalind Plowright, in one of the best performances of her career, both intense and passionate in this demanding role. The famous, though entirely fictional, encounter scene between the two Queens is extremely powerful. The cast also includes John Tomlinson I commanding voice as Talbot, and David Randall as an ardent Leicester. The Performance is gloriously conducted by Sir Charles Mackerras.
Composed for the coronation of Charles X in Rheims Cathedral, this pièce de circonstance was to remain Rossini's last Italian opera. It contains some of the most inspired and brilliant vocal writing the composer ever produced. Most experts and analysts agree that this is an unconventinal opera, light and ironic, festive and exuberant, with a plot as simple as it is extrvagant, a work full of musical references which almost turn it, very subtly, into a "metaopera," or an "opera about opera."
The 1978 concert in Australia features an array of fan favourites including ‘Jailbreak’, ‘The Boys Are Back In Town’, ‘Bad Reputation’ & more. Although this has been out before on VHS, Laserdisc and DVD this new edition features remixed audio, restored visuals, and includes five additional performances from the concert that have never been officially available…
Plácido Domingo’s triumphant “return” to his baritone roots (his first debut with the Mexican National Opera, in 1959, was as a baritone), is captured in this stunning 2-DVD set of the Royal Opera House’s 2010 production of Verdi’s Simon Boccanegra. Domingo is joined by Marina Poplavskaya, Joseph Calleja, Ferruccio Furlanetto, Jonathan Summers and Lukas Jakobski in this Antonio Pappano conducted performance, directed by Elijah Moshinsky.