Dytomite Starlite Band Of Ghana 1982

In honor of the 50th Anniversary of the Allman Brothers debut album, New West Records is proud to present, Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions, and actually joined as a member of the band in 1997. Together with Dickey Betts, he completed the band's archetypal guitar duo for nearly 3 years. Wycliffe Gordon (of Jazz at Lincoln Center fame) is also featured as a soloist. Gordon is consistently ranked among leading trombone players in the Downbeat critics poll.

With their eighth studio album, Simple Things, THE BAND OF HEATHENS came home-geographically, as they returned to their longtime base of Austin for the recording; sonically, in an embrace of the rootsy, guitar-based rock with which they made their name; and thematically, with lyrics that speak to appreciating friends and family and our limited time on this planet.

Heading into Band of Horses’ sixth album, frontman Ben Bridwell wanted to do things differently. He’d been hanging out with some younger musicians in his adopted home of Charleston, South Carolina, and liked their style. “They were making really beautiful sounding records in, like, a storage shack, basically,” he tells Apple Music. One in particular, Wolfgang Zimmerman, had sparked Bridwell’s imagination to the point that Bridwell found himself sneaking out to make demos with Zimmerman on the sly, away from the rest of the band. “It wasn’t a plot to overthrow the record,” Bridwell says. “But in the end, it did feel a bit like a mutiny.” The result is music that feels less like a departure from the band’s core sound than a reaffirmation of it: the anthemic choruses, the windswept grit, the mix of joy and melancholy.

In September 1925, seven students gathered in Brussels to form the first composers’ collective in Belgian music history – Les Synthetistes – who sought to distinguish themselves from late Romantic style by connecting with contemporary music. A lack of symphony orchestras in Belgium at the time saw them composing and transcribing original works for wind band, and through their collaboration with Arthur Prevost and the Band of the Belgian Guides, a unique canon of original, modern music could be heard on the Brussels concert stages during the interwar period. This recording provides a resounding response to the injustice of this repertoire’s complete neglect today.