The great avant-jazz drummer Andrew Cyrille – whose associations have ranged from a long collaboration with Cecil Taylor to co-leading the collective Trio 3 with Oliver Lake and Reggie Workman – makes his ECM leader debut with The Declaration of Musical Independence. Featuring a quartet with guitarist Bill Frisell, keyboardist Richard Teitelbaum and bassist Ben Street, the album kicks off with an artfully oblique interpretation of John Coltrane’s “Coltrane Time,” led by Cyrille’s solo drum intro.
Since 2001, ECM has enthusiastically championed the art of Ukrainian composer Valentin Silvestrov with recordings of his orchestral, chamber and vocal works – creations that stand as some of the most arresting and moving in contemporary music. This continues in Silvestrov’s 75th birthday year with “Sacred Songs”, the seventh album ECM has devoted wholly to the composer’s music; it collects sets of songs, refrains, psalms and prayers composed from 2006 to 2008 that reflect the composer’s late-blooming interest in writing for a cappella voices, which led previously to the ECM releases “Requiem for Larissa” and “Sacred Works”.
This is arguably the first recording to fully flesh out the aural expanse for which ECM has come to be known. Although I am well aware of the immense groundswell of musical activity that was the 1970s, certainly an album like this was a refreshing and altogether mind-altering experience for those fortunate enough to be young musical explorers at the time. Featuring a lineup of musicians who would go on to weave ECM’s significance into the fabric of time, Solstice is a tour de force of musicianship, writing, arrangement, and recording.
Bassist Arild Andersen may not be one of ECM's best-known bandleaders (to Americans, that is), but that hasn't stopped him from amassing an impressive catalog as one of the label's senior statesmen. Andersen himself comments in the liner notes at how fortunate and surprised he was when looking back over his catalog and realizing how many younger players graced his sides. The evidence, however, is that Andersen is too humble: his guidance is like a beacon in bringing the best out of many who would become leaders in their own right. A fine example is on "Vanilje," which opens the album and comes from the Masqualero album. Here Andersen, Jon Balke, and drummer Jon Christensen host two stunning players on the front line, young saxophonist Tore Brunborg and a fresh-faced Nils Petter Molvaer on trumpet.
Jazz -funk fans must have been taken aback when multi-instrumentalist and composer Bennie Maupin's Jewel in the Lotus was released by Manfred Eicher's ECM imprint in 1974. For starters, it sounded nothing like Herbie Hancock's Head Hunters recording, which had been released the year before to massive sales and of which Maupin had been such an integral part. Head Hunters has remained one of the most reliable sales entries in Columbia's jazz catalog into the 21st century. By contrast, Jewel in the Lotus sounded like an avant-garde jazz record, but it stood outside that hard-line camp, too, because of its open and purposeful melodies that favored composition and structured improvising over free blowing.
Three years after a self-titled debut, the trio known as Aparis set out for its second of two albums for ECM. Much of the sweep of the first can be found slithering throughout Despite the fire-fighters’ efforts…, only here trumpeter Markus Stockhausen’s lines swim eel-like in an even deeper ocean of electronics, courtesy of brother Simon (who also plays soprano sax). Drummer Jo Thönes is gorgeously present at key moments, as in the high-octane intensity that concludes the opening track, “Sunrice.” Before this we are surrounded by dawn-drenched ruins.
The object of ECM's handsomely Digipak-aged Rarum series is to have its roster of artists – past and present – select their favorite performances on the label. Which leads to the next question: Is the artist always the best judge of his or her own material? With that in mind, Keith Jarrett's choices for his two-CD set, the first volume of this series, are sure to be some of the most interesting, wide-ranging, surprising, and controversial of the whole lot. Listeners have had fair warning – ECM's previous Jarrett sampler, ECM Works, was also gleefully unpredictable – but Rarum, Vol. 1: Selected Recordings gives you a much better idea of the staggering variety of Jarrett's interests over a 21-year span than the earlier disc.
A Long Story is Anat Fort's debut release on ECM, and is comprised entirely of her original compositions, with one joint effort between Fort and Perry Robinson. From the very first track, the standard-in-the-making "Just Now Var. I," Fort's attractively melodic and Eastern-flavored jazz writing is apparent and ECM's storied history of piano-led groups (think Keith Jarrett, Bobo Stenson, and Tord Gustavsen) continues with the addition of this fine quartet. The "sidemen" on A Long Story are three well-known jazz veterans, led by the great Paul Motian on drums. Perry Robinson makes his ECM debut here and Ed Schuller rounds out the group on double-bass.
Austrian guitarist Wolfgang Muthspiel makes his ECM leader debut with Driftwood, a trio album of subtlety and depth featuring renowned US jazz players Larry Grenadier and Brian Blade. Muthspiel – who recently made his first ECM appearance on Travel Guide as a member of a cooperative trio with fellow guitarists Ralph Towner and Slava Grigoryan – has enjoyed long, productive musical friendships live and on record with both Grenadier and Blade, leading to a sense of telepathic interplay on Driftwood.