Boston Baroque and Martin Pearlman recorded a splendid set of the Brandenburg Concertos on period instruments in 1993 and 1994. Made entirely in the US, these snappy, crisply articulated, and fluent performances rely heavily on the talents of violinist Daniel Stepner (who doubles as one of the two solo violists in Concerto No. 6). Among the highlights are the joyous finale to Concerto No. 4 and the superb cembalo cadenza in No. 5, played by Pearlman. Along with outstanding sound, there's a winning sense of freshness and discovery in these performances.
The box set Great Piano Concertos has been produced to celebrate the 25th anniversary of Naxos and draws on their extensive catalogue of concerto recordings. The recording quality varies from the older 1980’s recordings but there are some good things to enjoy in the 10 CD set particularly Idil Biret playing the two Chopin piano concerts with the Slovak State Philharmonic under Rubert Stankovsky. The two Liszt concertos with Eldar Nebolsin and the RLPO under Petrenko are also very enjoyable as is Jenő Jando playing the Grieg and Schumann concertos with the Budapest Symphony under András Ligeti.
Considering his rather vast discography, it may seem a bit odd that pianist Leif Ove Andsnes has visited the "Mozart well" on so few occasions. His previous Mozart offering came in 2004 with concertos No. 9 and No. 18. Four years later, Andsnes tried again with the concertos No. 17 and No. 20, again leading the Norwegian Chamber Orchestra from the piano. If you have the 2004 album and liked it, then you're sure to enjoy this one, as well, because very little has changed.
The essence of a concerto is the contrast and combination of a solo instrument with a larger instrumental ensemble. Having developed out of the Baroque concept of concerto grosso, the concerto genre was fully established in the eighteenth century, and many works dating from this period are still a key part of the repertoire today. The opportunity for virtuosic display from the soloist has resulted in the concerto becoming a vital musical force on the concert platform.
This three-disc set of all of the studio recordings of Mozart's piano concertos and sonatas made by German pianist Edwin Fischer between 1933-1947 may elicit different responses from his fans than from listeners not already persuaded of his greatness.
Pianist Vladimir Ashkenazy's acclaimed interpretations, together on one super low-priced set! Also includes Rhapsody on a Theme by Paganini; 24 Preludes; Suites 1 & 2; Etudes-tableaux , and Piano Sonata 2 . Other performers include Andre Previn and the London Symphony.
This set contains the complete works by Telemann in which the Viola da Gamba (or viol) has a prominent and soloistic role. The Viola da Gamba may be described as the predecessor of the modern Violoncello, and in its time it was a popular instrument much in use in instrumental music and as part of the Basso Continuo. Its slightly more modest volume compared with the cello is more than compensated by its specific timbre, with its vocal and sometimes melancholic qualities.
Only months after Deutsche Grammophon released Anne-Sophie Mutter's recording of Bach's violin concertos, Decca released Julia Fischer's recording of the same pieces. The similarities between the two discs run deeper than merely their shared repertoire. Both labels are branches of Universal Music Group and both violinists are individualistic German women, though Mutter is currently at the peak of her career while Fischer is just a bit past starting out. The differences, however, are likewise remarkable. The Deutsche Grammophon disc includes the world premiere of a new work by Sofia Gubaidulina dedicated to the violinist, while the Decca disc includes the more conventional coupling of Bach's Concerto for violin and oboe in C minor, BWV 1060.
The most famous violin concertos ever written are well represented in this 10-CD set of Menuhin's finest performances-but so are many less-familiar works that Menuhin resurrected. Beginning with The Four Seasons by Vivaldi; Violin Concerto in E by Bach, and many more pieces by both composers, the set moves on to Concerto for Violin and Orchestra in C Major Haydn; Violin Concertos. Nos. 4 & 5 Mozart; Violin Concerto in D Beethoven; Violin Concerto in A Minor Dvorak; Violin Concerto in D Brahms; Violin Concerto in B Minor Elgar, and more!