Singer/ songwriter Cindy Ryan wanted to release her first solo album in 1997 after sometime performing in her native Sydney, Australia. But after working with studio musicians Genevieve Maynard (guitar), Bowden Campbell (guitar) Raph Whittingham (drums) and Pat Hayes (bass), something clicked. Deciding to scrap the solo career, Ryan instead formed Stella One Eleven with the players she worked with; resulting in the release of "Mr. Big Car" the following year…
Singer/ songwriter Cindy Ryan wanted to release her first solo album in 1997 after sometime performing in her native Sydney, Australia. But after working with studio musicians Genevieve Maynard (guitar), Bowden Campbell (guitar) Raph Whittingham (drums) and Pat Hayes (bass), something clicked. Deciding to scrap the solo career, Ryan instead formed Stella One Eleven with the players she worked with; resulting in the release of "Mr. Big Car" the following year.
One couldn't throw a brick around rock critics and college rock types in 1992 without hitting somebody who would talk about how Come was the new incarnation of the blues, often loudly and at great length…
Dan Tepfer — whom New York magazine dubbed “one of the moment’s most adventurous and relevant musicians” — has criss-crossed the globe over the past several years. The broad success of the pianist’s 2011 album Goldberg Variations / Variations — an improvisational exploration of J.S. Bach’s masterpiece — led to packed concerts from London’s Wigmore Hall, Chicago’s Ravinia Festival and SF Jazz in San Francisco to events in Berlin, Prague, Tokyo, Vancouver and Manhattan’s Le Poisson Rouge, with The New York Times declaring the latter performance “riveting and inspiring.” Tepfer followed that with Small Constructions, a studio-savvy 2013 album with reed player Ben Wendel, as well as his ongoing collaboration with sax icon Lee Konitz.
The second Concord album was recorded the day after the first with the same lineup: guitarists Herb Ellis and Joe Pass, bassist Ray Brown and drummer Jake Hanna. Pass would sign with Pablo but Ellis would be a fixture on the Concord label throughout the 1970s. If anything, the guitarists' rematch was a bit stronger than their first due to material better suited for jamming including "In a Mellotone," a speedy "Seven Come Eleven," "Perdido" and "Concord Blues." Although Pass would soon be recognized as a giant, Ellis battles him to a draw on this frequently exciting bop-oriented date, which has been reissued on CD.