Elle King

Stories are meant to be shared and passed on through generations. As they're told and re-told, they transform—details change shape and become less important. It's no longer just about the narrative—it's about feeling. This is something Dolly Parton is intimately familiar with, because if a woman of the South understands anything, it's the art of telling a good story. And the good storytellers—the truly remarkable ones—share a few things in common: they tell you something familiar, they teach you something new, and they surprise you in a way that you weren't expecting…

This one-night-only concert event taping brought together fans, friends and music icons to celebrate Kenny Rogers’ final farewell to Nashville. All In For The Gambler featured performances by Dolly Parton, Alison Krauss, Chris Stapleton, Don Henley, Elle King, Idina Menzel, Jamey Johnson, Lady A, Lionel Richie, Little Big Town, Kris Kristofferson, Reba McEntire, The Flaming Lips, The Judds, Wynonna, The Oak Ridge Boys, and Kenny Rogers along with many other special guests.

Soundtrack to the second season of the critically acclaimed and eight-time Emmy winning HBO series, starring Reese Witherspoon, Nicole Kidman, Shailene Woodley, Laura Dern and Meryl Streep. Big Little Lies: Music from Season 2 of the HBO Limited Series showcases an eclectic mix of soul, folk, blues, country and rock from Charles Bradley, the Spinners, Cassandra Wilson, Elle King, Willie Nelson and more. Several previously unreleased tracks are premiered, including “Piece of My Heart” by Christina Vierra and The Ryam Rehm Band (made famous by Janis Joplin’s Big Brother and the Holding Company), “Why Can’t We Live Together” by Jim James (originally by Timmy Thomas), and “That Was Yesterday” by Leon Bridges.

Wielding her violin like a huntress' bow, Lindsey Stirling focuses her classical crossover vision with a deeply imaginative concept for her fifth album, Artemis. Named after the Greek goddess of the hunt and the moon, the effort finds Stirling hitting her artistic stride with a grand soundtrack to a movie that doesn't yet exist, like a neon cyberpunk take on Howard Shore's Lord of the Rings score. Making her early work feel small-scale by comparison – early-2010s tracks like "Song of the Caged Bird," "Beyond the Veil," and "Heist" come closest to what she's offering here – Artemis also benefits from fewer special guests, which was a distraction on her previous full-length, Brave Enough.