EN 62124

Programa de 8 semanas basado en el formato de Jon Kabat-Zinn y del Center for Mindfulness (Boston)

Since the Baroque revival of the late 1980s, Iphigenie en Aulide is Gluck's only French opera to have remained unrecorded on period instruments. To celebrate it's 250th anniversary in 2024, Julien Chauvin, Le Concert de la Loge, Les Chantres du Centre de musique baroque de Versailles and a top-flight cast led by Judith van Wanroij, Stephanie d'Oustrac, Cyrille Dubois, Tassis Christoyannis, Jean-Sebastien Bou and David Witczak have filled that gap with a new recording of the work which revolutionised the aesthetics of French opera.

Since the Baroque revival of the late 1980s, Iphigenie en Aulide is Gluck's only French opera to have remained unrecorded (in the studio and released on CD) on period instruments. To celebrate its 250th anniversary in 2024, Julien Chauvin, Le Concert de la Loge, Les Chantres du Centre de musique baroque de Versailles and a top-flight cast led by Judith Van Wanroij, Stephanie d'Oustrac, Cyrille Dubois, Tassis Christoyannis, Jean-Sebastien Bou and David Witczak have filled that gap with a new recording of the work which revolutionised the aesthetics of French opera. It is underpinned by in-depth musicological and stylistic research carried out by the Centre de Musique Baroque de Versailles in collaboration with Julien Chauvin, in this, his first operatic recording.

El próximo lunes 4 de noviembre se estrena en la Opéra Comique de París ‘Hercules enamorado’ ópera de Francesco Cavalli protagonizada por el bajo Nauhel Di Pierro, cantante argentino ‘Anclao en París’ desde hace años. Precisamente ‘Anclao en París’ es el título de su nuevo disco dedicado al tango que saldrá al mercado el próximo 8 de noviembre.

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Marc Monnet’s extraordinary musical life has been auspicious from the start: he studied with Kagel and Stockhausen in Cologne, gained attention at the Darmstadt summer school and was awarded a residency at the Villa Medici. The first book of En pièces (2007) is dedicated to François-Frédéric Guy, who premiered the entire collection at the Strasbourg Musica Festival in 2012. A long artistic companionship and a real friendship bind these two artists. François-Frédéric Guy has praised Monnet’s dazzling ability “to push piano techniques to their extreme”, as well as his “freedom of tone”, and his “Schumannian” inspiration in music of “whimsical, even fantastic, and unclassifiable character”.

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