Eng101 Final Term Preparation 2025

Term Morphology Editor is designed for PMs, terminologists and freelance translators who want to save time and effort during preparation of memoQ and Memsource term bases for better term search during translation and QA. It improves term recognition results in your term bases, making translator's work faster and more accurate.

Pianist John Taylor’s death in 2015 robbed British jazz of one of its most distinctive exponents, an improviser and compose who confidently blended folk and classical forms with a distinctive off-centre approach to swing. Taylor’s already substantial legacy of recordings is not static, however. Close To Mars is a trio recording made in Ludwigsburg in 2006, released now on CAM JAZZ, which was Taylor’s label of choice during the final, highly creative decade of his life.Joined by veteran bassist Palle Danielsson and the most musical of drummers Martin France–now, sadly, both no longer with us (another reminder of the passage of time) –Taylor performs eight original compositions (and one by his late friend Kenny Wheeler) that will delight long-term admirers but also introduce his work to a new generation who never had the chance to see him perform. Not yet a historical release, but an important and bittersweet one. Close To Marsis John Taylor at his mature best, familiar but adventurous… (Brian Morton)

Pianist John Taylor’s death in 2015 robbed British jazz of one of its most distinctive exponents, an improviser and compose who confidently blended folk and classical forms with a distinctive off-centre approach to swing. Taylor’s already substantial legacy of recordings is not static, however. Close To Mars is a trio recording made in Ludwigsburg in 2006, released now on CAM JAZZ, which was Taylor’s label of choice during the final, highly creative decade of his life.Joined by veteran bassist Palle Danielsson and the most musical of drummers Martin France–now, sadly, both no longer with us (another reminder of the passage of time) –Taylor performs eight original compositions (and one by his late friend Kenny Wheeler) that will delight long-term admirers but also introduce his work to a new generation who never had the chance to see him perform. Not yet a historical release, but an important and bittersweet one. Close To Marsis John Taylor at his mature best, familiar but adventurous… (Brian Morton)

Pianist John Taylor’s death in 2015 robbed British jazz of one of its most distinctive exponents, an improviser and compose who confidently blended folk and classical forms with a distinctive off-centre approach to swing. Taylor’s already substantial legacy of recordings is not static, however. Close To Mars is a trio recording made in Ludwigsburg in 2006, released now on CAM JAZZ, which was Taylor’s label of choice during the final, highly creative decade of his life.Joined by veteran bassist Palle Danielsson and the most musical of drummers Martin France–now, sadly, both no longer with us (another reminder of the passage of time) –Taylor performs eight original compositions (and one by his late friend Kenny Wheeler) that will delight long-term admirers but also introduce his work to a new generation who never had the chance to see him perform. Not yet a historical release, but an important and bittersweet one. Close To Marsis John Taylor at his mature best, familiar but adventurous… (Brian Morton)

Intrada presents the premiere score-only release of Hans Zimmer's A League of their Own. The delightfully witty film deserved a similarly tongue-in-cheek score. Zimmer's music artistically represents not only the film's period, but the onscreen antics as the first-ever women's baseball team is formed, while retaining a sense of gravity and reverence for this historic and unfortunately short-lived episode in American baseball. The film gave Zimmer the opportunity to create a score that blends nostalgic Americana with his inimitable style, resulting in a mix of swing/jazz numbers that complement his rousing orchestral music. Although the film is party comedy, Zimmer narrows in on the heart of the story—the camaraderie of the players and the emotional depth of the story— while also capturing the WW II era. Zimmer's main challenge in scoring the film was understanding the game itself, which was relatively foreign to him. But through trial and error he figured it out, even while on the recording stage:

Intrada presents the premiere score-only release of Hans Zimmer's A League of their Own. The delightfully witty film deserved a similarly tongue-in-cheek score. Zimmer's music artistically represents not only the film's period, but the onscreen antics as the first-ever women's baseball team is formed, while retaining a sense of gravity and reverence for this historic and unfortunately short-lived episode in American baseball. The film gave Zimmer the opportunity to create a score that blends nostalgic Americana with his inimitable style, resulting in a mix of swing/jazz numbers that complement his rousing orchestral music. Although the film is party comedy, Zimmer narrows in on the heart of the story—the camaraderie of the players and the emotional depth of the story— while also capturing the WW II era. Zimmer's main challenge in scoring the film was understanding the game itself, which was relatively foreign to him. But through trial and error he figured it out, even while on the recording stage:

Intrada presents the premiere score-only release of Hans Zimmer's A League of their Own. The delightfully witty film deserved a similarly tongue-in-cheek score. Zimmer's music artistically represents not only the film's period, but the onscreen antics as the first-ever women's baseball team is formed, while retaining a sense of gravity and reverence for this historic and unfortunately short-lived episode in American baseball. The film gave Zimmer the opportunity to create a score that blends nostalgic Americana with his inimitable style, resulting in a mix of swing/jazz numbers that complement his rousing orchestral music. Although the film is party comedy, Zimmer narrows in on the heart of the story—the camaraderie of the players and the emotional depth of the story— while also capturing the WW II era. Zimmer's main challenge in scoring the film was understanding the game itself, which was relatively foreign to him. But through trial and error he figured it out, even while on the recording stage: