Enrico Rava Reneissance

In the late '70s, ECM began releasing a handful of recordings that adhered more closely to solid, modern jazz than to the pastel offerings on which the label had gained some renown. This date, led by Italian trumpeter Enrico Rava, was one such. Joined by the ebullient and raucous trombone master Roswell Rudd, Rava fashioned a good, old-fashioned date with pieces ranging from elegiac to stomping.

Trumpeter Enrico Rava has proven himself adept at virtually every style of jazz, from bop through the avant-garde. For this short recording, he teams up with third-stream pianist Ran Blake in a series of 12 emotionally drenched tunes emphasizing the kind of dark, foreboding atmosphere for which Blake is well-known.

A cross-generational project by the grand master of Italian Jazz. Energized by joyous experiences on the road the ever youthful Enrico Rava took his new working quartet of the last two years into Arte Suono Studio in Udine. Here they were joined by trombonist Gianluca Petrella, an internationally noted player through his contributions to Rava’s three acclaimed post-millennium quintet albums Tribe (2011), The Words & The Days (2005) and Easy Living (2003). With Manfred Eicher producing, the five Italians recorded a program of Rava originals which cover a broad range of moods - from brooding ballad playing to fiery uptempo post-bop. Once again Rava’s playing makes it clear that lightness and intensity, elegant cool and emotional warmth are no opposites. Rava and Petrella form a peerless two-horn frontline, whether playing in unison, engaging in dialogue or taking their turns in extensive soloing…

It was only after Michael Jackson’s death that Italian trumpeter Enrico Rava gradually became aware that he had for many years been ignoring, in his words, “one of the great protagonists of 20th century music and dance. A total artist. A perfectionist. A genius. I felt the need to delve more deeply into Michael’s world. There was only one way to do that: play his songs.” Thus this live album, recorded at the Rome Auditorium with the Parco della Musica Jazz Lab. Enrico’s trumpet is at its most extroverted here, vaulting above the spirited arrangements by Mauro Ottolini. Michael Jackson’s protean pop songs have never been heard quite like this. Rava is currently playing European festivals with this programme.

Enrico Rava - The Complete Remastered Recordings on Black Saint & Soul Note (2010) {5CD Set CAM Jazz BXS1002 rec 1972-1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.35 Gb | MP3 @320 -> 511 Mb
Full Artwork @ 600 dpi (png) -> 130 Mb | 5% repair rar
© 1972-94, 2010 CAM Jazz / Black Saint / Soul Note | BXS 1002
Jazz / Post Bop / Modern Creative / Trumpet

Good news! Five of Italian trumpeter Enrico Rava's Black Saint and Soul Note recordings have been reissued by CAM Jazz in one of those pretty white box sets with each LP reproduced as a separate CD tucked into a miniature record jacket. Born at Trieste in 1939, Rava later attributed his lifelong pursuit of modern jazz to the influence of Miles Davis. One might add Don Cherry and Freddie Hubbard to that equation, along with maybe Richard Williams and Lee Morgan. In order to fully comprehend what he was up to from the '70s onward, it is important to consider the artistic company that Rava kept during the ‘60s. Take a moment, for example, to ponder the blended influences of Chet Baker and Gato Barbieri.

Enrico Rava's restrained trumpet playing has been regarded in modern times as perfectly reflective of the ECM sound. It is wrapped in European classical music while displaying a lyricism that goes beyond strict tonality, reaching for a soulful arena that only he can claim in the post-Miles Davis era. The emerging pianist Stefano Bollani joins Rava and veteran drummer Paul Motian for this contrabass-less trio that uses a downplayed sonic footprint, at times ethereal, but mostly calmed, collected, and serenely furnished. The compositions are mainly Rava's in hushed tones, but occasionally a modern progressive, bop-influenced, or energetic presence creeps in. Bollani's style is romantically based and postmodern in derivation, while Motian is simply one of the most sensitive drummers ever, with ears that pick up on every shading or nuance, translating it into artful percussive brush strokes of light color…

Enrico Rava's restrained trumpet playing has been regarded in modern times as perfectly reflective of the ECM sound. It is wrapped in European classical music while displaying a lyricism that goes beyond strict tonality, reaching for a soulful arena that only he can claim in the post-Miles Davis era. The emerging pianist Stefano Bollani joins Rava and veteran drummer Paul Motian for this contrabass-less trio that uses a downplayed sonic footprint, at times ethereal, but mostly calmed, collected, and serenely furnished. The compositions are mainly Rava's in hushed tones, but occasionally a modern progressive, bop-influenced, or energetic presence creeps in. Bollani's style is romantically based and postmodern in derivation, while Motian is simply one of the most sensitive drummers ever, with ears that pick up on every shading or nuance, translating it into artful percussive brush strokes of light color…