Eric Clapton Thee Definitive 24

In February 2021 Eric Clapton's live shows at The Royal Albert Hall were cancelled due to the global pandemic. Determined to play, he brought his band together in the English countryside. In the absence of a live audience, he decided to record the performances. This release is the culmination of their sessions together at Cowdray House, West Sussex, England…

Documentary film about Eric Clapton's musical journey and his love for Blues music, featuring live performances of blues standards covered by Eric Clapton as well as historical video footage of blues musicians of various generations.

After the guest-star-drenched No Reason to Cry failed to make much of an impact commercially, Eric Clapton returned to using his own band for Slowhand. The difference is substantial – where No Reason to Cry struggled hard to find the right tone, Slowhand opens with the relaxed, bluesy shuffle of J.J. Cale's "Cocaine" and sustains it throughout the course of the album…

Clapton Chronicles ignores Eric Clapton's 1983 Reprise debut, Money and Cigarettes (which sounded more like an RSO album, anyway), starting with the pair of Phil Collins-produced mid-'80s albums, Behind the Sun and August. Though these had a pop sheen, they were album rock holdovers. Clapton didn't get the balance between hard rock and commercial gloss right until 1989's Journeyman, whose featured songs – "Before You Accuse Me," "Bad Love," and "Pretending" – form the heart of this compilation. Journeyman was overshadowed by the phenomenal success of "Tears in Heaven" and 1992's Unplugged. Not only did Unplugged go platinum ten times, it established a new public image – classy, stylish, and substantial. That's the image that prevails on Clapton Chronicles. His triple-platinum blues album From the Cradle is written out of the picture, with songs from movie soundtracks taking its place.

Bluesbreakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist – more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio…