Eros Ramazzotti Completamente Enamorados (remastered 2021)

The Symphony No. 9 in D minor, Op. 125, is a choral symphony, the final complete symphony by Ludwig van Beethoven, composed between 1822 and 1824. It was first performed in Vienna on 7 May 1824. The symphony is regarded by many critics and musicologists as Beethoven's greatest work and one of the supreme achievements in the history of music. One of the best-known works in common practice music, it stands as one of the most frequently performed symphonies in the world.

The Symphony No. 7 in A major, Op. 92, is a symphony in four movements composed by Ludwig van Beethoven between 1811 and 1812, while improving his health in the Bohemian spa town of Teplice. The work is dedicated to Count Moritz von Fries.

Limited edition remastered 50th anniversary picture disc release of the 1971 British comedy film soundtrack album. Performed by THE KINKS with additional orchestral arrangements by Stanley Myers. Their ninth official studio album and last on the PYE label. Previously unreleased in the USA, and the first vinyl re-press in twenty years.

The Symphony No. 9 in C major, D 944, known as the Great (first published by Breitkopf & Härtel in 1849 as "Symphonie / C Dur / für großes Orchester", listed as Symphony No. 8 in the Neue Schubert-Ausgabe), is the final symphony completed by Franz Schubert. Originally called The Great C major to distinguish it from his Symphony No. 6, the Little C major, the subtitle is now usually taken as a reference to the symphony's majesty. Unusually long for a symphony of its time, a typical performance of The Great lasts an hour when all repeats indicated in the score are taken. The symphony was not professionally performed until a decade after Schubert's death.

The Symphony No. 1 in C minor, B. 9, subtitled The Bells of Zlonice (Czech: Zlonické zvony), was composed by Antonín Dvořák during February and March 1865. The work is written in the early Romantic style, and was inspired by the works of Ludwig van Beethoven and Felix Mendelssohn.It was the only one of his symphonies that Dvořák never heard performed or had a chance to revise. The work was lost shortly after its composition, and did not come to light until 1923, almost 20 years after the composer's death. It did not receive its first performance until 1936.