Eros Ramazzotti Nada Sin TI (remastered 2021)

Live At Alice Tully Hall - January 27, 1973 - 2nd Show captures Lou Reed’s New York City live debut as a solo artist, at the Lincoln Center venue during his Transformer tour. He was backed by The Tots, a tight, funky, twin-guitar combo whose gritty bar-band approach offered an energized accompaniment to Reed’s material, whether that was the Velvets (“Heroin,” “Sweet Jane”) or songs from his first two solo albums, Walk On The Wild Side and Vicious. Mixed from the original multi-track tapes by Matt Ross-Spring, these fourteen live tracks are available for the first time, released first on RSD Black Friday on two LPs pressed on burgundy vinyl and packaged with a new essay by Ed McCormack, rare pictures and memorabilia.

The year 1812 was a busy year for the well-known but deaf composer Ludwig van Beethoven. At last, Beethoven got the chance to meet that other famous German, Johann Wolfgang von Goethe, but Goethe’s personality proved a disappointed to Beethoven. The composer was carrying on a hectic love life: in 1812 he wrote his famous letter to an anonymous ‘Unsterbliche Geliebte’ (‘Immortal Beloved’). Moreover, he was getting involved in the life of his younger brother, who was infatuated with a housekeeper. Yet despite his activities, Beethoven found the time to compose several new works, among which his Seventh Symphony.

One of the most popular jazz pianists during his lifetime, the great Erroll Garner played by ear and never learned to read music. Nevertheless, he created a highly personal and unmistakable style. He also composed wonderful tunes, the most famous of which is the immortal “Misty”. Presented here is the complete LP One More Time (Harmony HS-11268), represented on tracks 2-10, and consisting of a selection of Garner’s brilliant Columbia recordings. Two versions of the aforementioned “Misty”, as well as 11 additional hits, fill out this release.

Plying their trade in the fertile San Francisco scene of the late '60s, Crystal Syphon's name was only known to aficionados through viewing copies of old SF gig posters and through the index of bands at the back of Ralph Gleason's book on the rise of Jefferson Airplane. Then both their studio and live 1967-1969 archival recordings were discovered that replaced the imagination with true grooves in 2012 and 2015 with the release of 2 LPs on Roaratorio Records. Trying to find comparison with other Bay area bands from that era has proven a bit fruitless as they don't specifically evoke any of the heavy hitters of the era. They have a bit of a dreamy, stoned vibe with some great harmonies and some have compared their style to Quicksilver Messenger Service (John Cipollina was their idol!!) as well as H.P. Lovecraft. As with so many bands of the era, the draft, time and declining fortunes signaled the end of the band. There is some great guitar work alongside the Farfisa organ in the extended jams, and fans of the west-coast sound should delight in these recordings.