William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. For Monk’s debut Riverside date, Keepnews decided to ease the pianist into what turned out to be his lengthy association with the label by asking him to momentarily set aside his own compositions and instead play Duke Ellington tunes. He did so in the company of the esteemed rhythm section of bassist Oscar Pettiford and drummer Kenny Clarke. With his distinctively angular style, Monk nails Ellington’s best-known tunes such as “It Don’t Mean a Thing (If It Ain’t Got That Swing),” “Mood Indigo” and “Caravan.”
Orrin Keepnews' commentary (from the new liner notes): “This album was actually one of the major factors in the successful battle to win new and wider acceptance for Monk. In the sequence of his Riverside discography, it followed two initial albums devoted entirely to 'standards' and offered the first occasion on this label for Thelonious to express himself basically through his own writing. Creating music for five instrumental voices in terms of his personal and unorthodox construction, approach and phrasing, he produced some startlingly brilliant examples of the great depth, wit, and strength of his style.”
Tenor-saxophonist Johnny Griffin is showcased with a ten-piece group on this CD reissue of a Riverside LP which is augmented by a previously unreleased version of "Wade in the Water." The repertoire is a bit unusual with some spirituals (including "Nobody Knows the Trouble I've Seen" and "Deep River"), a tune apiece by Bobby Timmons ("So Tired") and Junior Mance, and three originals from Norman Simmons who arranged all of the selections. Trumpeter Clark Terry and trombonists Matthew Gee and Julian Priester have some short solos but the emphasis is on the leader who is in typically spirited and passionate form.
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Art Blakey's legendary Jazz Messengers recorded for numerous labels large and small during the 35 years of its existence. Few periods in the band's storied history were as inspired as its 1962-63 stint at Riverside, when the Messengers were a sextet with the incredible Freddie Hubbard/Curtis Fuller/Wayne Shorter front line and Cedar Walton/Reggie Workman/Blakey rhythm section.
This remarkable set presents the recorded account of the first five years in the history of the Polish Prog band Riverside, which is the only second-generation Prog Polish band to earn any international attention. It includes the band's first three albums (hence trilogy) as well as EPs, singles and live recordings spanning this period. Packaged together into an impressive six CD digipak, this is definitely an awe inspiring bundle.
Drawn together by a shared love of heavy metal and progressive rock, Riverside emerged in the early 2000s in Warsaw, Poland. Founded by mutual friends who intended to use their backgrounds in metal to explore new territory in prog rock along the lines of Dream Theater, Porcupine Tree, and Tool, the quartet began creating spacious and experimental music with a metal edge on their 2003 debut, Out of Myself…