Evermoti̇on

Writing on the Wall's only album was theatrical heavy blues-psychedelic-rock that, despite its power and menace, was too obviously derivative of better and more original artists to qualify as a notable work. The organ-guitar blends owe much to the Doors, Procol Harum, and Traffic, though the attitude is somehow more sour and ominous than any of those groups. The vocals are sometimes pretty blatant in their homages to Arthur Brown, particularly when Linnie Paterson climbs to a histrionic scream; Jim Morrison, Gary Brooker, and Stevie Winwood obviously left their imprints on him too. Throw in some of the portentous drama from the narrations to the Elektra astrological concept album The Zodiac: Cosmic Sounds (particularly on "Aries") as well…

Psychodrama is Tigers on Opium debut full length. A structured form of therapy in which a person dramatizes a personal problem or conflict, usually in front of a group of other therapy participants. The other participants usually take part in the drama, though each performance focuses on a single person's concerns. The goal of psychodrama therapy is to work together in a group to achieve a better understanding of past traumas and the influence they can create, the members must feel willing to work together.

Psychodrama is Tigers on Opium debut full length. A structured form of therapy in which a person dramatizes a personal problem or conflict, usually in front of a group of other therapy participants. The other participants usually take part in the drama, though each performance focuses on a single person's concerns. The goal of psychodrama therapy is to work together in a group to achieve a better understanding of past traumas and the influence they can create, the members must feel willing to work together.

One of those bands where you’re not quite sure why you’ve missed them. The distinctive visual style continues and the foursome of Nick Beggs, Marty Townsend, Frank Van Bogaert and Marcus Weymaere getting a couple of significant helping hands on Black Rain…

The Greatest Show on Earth - Horizons (1970). The Greatest Show on Earth were one of the more stylistically original signings to EMI’s legendary Progressive label Harvest. The band was formed in 1968 and featured brothers Garth and Norman Watt-Roy (who played guitar and bass respectively), along with American vocalist Ozzie Lane, Mick Deacon on Organ, a horn section of Dick Hanson, Tex Philpotts and Ian Aitcheson and drummer Ron Prudence. Initially beginning life as a Soul outfit, the band’s musical direction changed when vocalist Lane returned home to New Orleans in early 1969. Replaced by Colin Horton-Jennings (who also played guitar and flute), the band began to take on board more "progressive” influences, incorporating rock, jazz and acoustic music into their sound…

Four years on from Smoker's Delight and, fortunately, little has changed for George Evelyn's Nightmares on Wax project. While he could've easily been forgiven for following the nu-beat crowd and inserting a few prescient big beats into the blunted trip-hop formula, it's all clear from the opener, "Les Nuits" (a NoW theme of sorts, repeated from Smoker's Delight), that at hand is a return to form, not a turn away from the trip-hop style that took such a beating during the late '90s. The lazy-day soul samples driving tracks like "Morse" and "Finer" are perfect examples that instrumental hip-hop doesn't have to resort to the usual producer's bag of tricks to make for music leagues beyond the average. There's also a focus here lacking from previous material; fewer interludes make for a more concentrated listening experience…