Lee Ann Womack began recording a sequel for MCA Nashville after 2008's Call Me Crazy, but none of its advance singles stuck, leading the singer to shift direction for her seventh studio album. This album didn't appear until 2014, not on Universal but on Sugar Hill/Welk, who picked up The Way I'm Livin', an album that effectively reboots her career. Produced by Frank Liddell – Womack's husband but more notably the producer behind recent hit records by Miranda Lambert, Pistol Annies, David Nail, and the Eli Young Band – The Way I'm Livin' finds the veteran singer intentionally abandoning the chart race for deeply felt intimacy. Womack didn't write any of the songs on The Way I'm Livin' – a collection of writers ranging from Bruce Robison, Kenny Price, Julie Miller, and Mindy Smith to Hayes Carll and Neil Young bear credits – but the material is so carefully selected, the album plays personally.
This Dutch blues band was formed in the Hague around 1967, becoming a regular outfit from 1969. The early line-up included Bjorn Toll (vocals), John Lagrand (harmonica), Ted Oberg (guitar), Ruud Fransen (bass) and Niek Dijkhuys (drums) but although the name remained wholesale changes soon took place, bringing in a new singer, Nicko Christiansen, and new bass and drums, Peter Kleinjan and Beer Klaasse, the latter pair being swiftly replaced by Gerard Strutbaum and Cesar Zuiderwijk, while keyboard player Henk Smitskamp was added…
This Dutch blues band was formed in the Hague around 1967, becoming a regular outfit from 1969. The early line-up included Bjorn Toll (vocals), John Lagrand (harmonica), Ted Oberg (guitar), Ruud Fransen (bass) and Niek Dijkhuys (drums) but although the name remained wholesale changes soon took place, bringing in a new singer, Nicko Christiansen, and new bass and drums, Peter Kleinjan and Beer Klaasse, the latter pair being swiftly replaced by Gerard Strutbaum and Cesar Zuiderwijk, while keyboard player Henk Smitskamp was added…
Livin Blues are without doubt the greatest Blues Band to come out of Holland, and to be honest, they deserved greater acclaim. This debut Studio Album (Although a latter release of early Sessions pre-dated this CD) featured Cesar Zuiderduik (Probably spelt the surname wrong) before he joined Hollands undisputed Kings of Rock i.e. Golden Earring. The music will appeal to those who found interest in the late 60s British Blues Boom (i.e. Fleetwood Mac,Savoy Brown,Groundhogs,Climax Blues Band etc)…
The ninth release in the “…By The Bayou” series brings you some hot rockers from South Louisiana and Southeast Texas, an area where Cajun culture has had a strong influence over its music – and never more so than in the heyday of real rock’n’roll, the 1950s. Rock’n’roll was a hybrid of C&W and R&B right across the USA, but in Cajun country the influences were more specific; the country music was from Texas, the R&B from New Orleans, and into this mix went rockabilly from Memphis via Shreveport and Cajun music. In this exciting compilation you will find all of those influences to varying degrees.
Livin Blues was the best Dutch blues band of the late 60s and early 70s. Bamboozle is amongst Livin Blues best albums and have a best grown-up sound. The singer really stands out with his husky voice and the harmonica player is a real lust…
This is the 2nd album by the legendary Dutch Blues-Rock band Livin` Blues, which followed the pattern of many British groups, which were formed at about the same time. Led by their vocalist Nicko Christiansen, who co-wrote most of the bands original material (sung in English of course) with the band's guitar player Ted Oberg, who was one of the country's best, harmonica player John Lagrand and a constantly changing rhythm section…
Reissue. Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. Pure genius from Russ Garcia – one of our favorite arrangers of the 50s, and one of the few who could be modern, swinging, and surprisingly soulful at the same time! The set features Garcia's Wigville Band – a mid 50s ensemble that featured the leading lights of the west coast scene, arranged in a style that had plenty of the tight counterpoint of the time, but which also broke out in these amazingly expressive solos.