Earthsong Overture

Italian group Overture began as Sons of the Rascals back in January 2010, but it's taken a name change, a tweaking of the original line-up and several years for the group to be ready to offer their confident self-titled debut in 2018, but the wait has been very much worth it!
The album is inspired by the progressive masterpieces of the 70s, but also incorporates influences of neo-prog and many other genres, due to the varied and heterogeneous background of the musicians involved.
On the record, five stories are told based on imagination and fantasy, which musically describe five fantastic worlds in which to transport the listener.

Taking full advantage of his 30 years experience crafting music in harmony with the rhythm of nature, Gandalf presents a grand celebration in tribute “to the wonderful variety and beauty of the universe" with Earthsong and Stardance. Masterfully blending his customary sounds with the Corso Wien Orchestra and a Sanskrit choir, the whole truly blurs the boundaries between earth and the stars.

The two Serenades ‘sung’ by the more rapturously Oistrakh-like Kang are sentimental and are recorded with rich immediacy. The Six Humoresques also arrive courtesy of Kang. These are magical bonbons - each weighted and balanced to perfection even though I favour the rawer vintage set glowingly recorded by Rosand and still available on Vox. True Sibelians must not miss these works and Kang and his orchestra do catch these silvery spells and confident little drinking songs - pride and eloquence, seduction and midnight poetry haunt these pages and it's all one especially well.

This recording, made in 1991, contains two fine performances. Indeed the performance of Hamlet is better than fine, it is positively thrilling. The Polish orchestra are well able to deliver on this and Leaper shows considerable empathy for the music. The recording is good, if a little lacking in absolute clarity at the bottom end which tends to be just a touch inclined to 'muddiness' at moments of greatest demand. This should not be over-emphasised in view of the excellence of the music making and the general acceptance of the recording. Indeed, the weighty sound-stage and quite close balance suits the heavier approach of Leaper when compared to Karajan on DGG for example, and to a lesser extent, Jansons on Chandos.

The Cleveland Orchestra conducted by their regular director music, Christoph Von Dohnanyi, have made a wonderful studio recording of Brahms first two symphonies and the two overtures which brings off these lyrical and exciting works of the Romantic period to perfection.